Waiting for Ormagöden: Utopia and Heavy Metal Fantasy.

You bastards think it’s funny
Lyin’ and thieving all your life
Think all there is, is money
Got your future wrapped-up tight

But just ‘cos you got the power
That don’t mean you got the right
-Motörhead, Just Cos You Got the Power, 1987

The 2009 game Brütal Legend  from the widely and rightfully beloved Double Fine studios, is the ultimate in Heavy Metal fantasy. It is a work of nostalgia for the underdog days of Metal’s origins from the early 70s to its period of relative commercial decline in the 90s towards the late 2000s before its revival in the age of accelerated mass media in the form of streams and YouTube in the 2010s. At the centre is the character you play as, the roadie Eddie Riggs, voiced by Jack Black (joined by Lita Ford, Lemmy Kilmister, Rob Halford, and Ozzy Osbourne among others). Riggs is an avatar of Metal’s underdog vintage. He is a virtuoso of logistics, personnel organization, repairs, stage and set design, automobile mechanics, armed combat, and—of course—riffs. As a roadie, a stagehand, he is a working man; the backbone of any musical operation he is involved in. And yet it is precisely because of this that he is destined to be unacknowledged for the results of his work. His job is to make value appear for, and as, someone else, the stars of the show. This task gives Eddie a clear sense of pride, even when he can be seen lamenting that he will never be the object of a frontman’s praise. It is in the negation of his recognition that he recognizes his work as a job well done, and that he is truly the greatest roadie ‘in the biz’.  His labours do not trouble him so much as their object: the artists he works for. The game opens with Eddie working for a band designed to fuse the most grating elements (at least for a more ‘traditional’ metalhead) of Nü Metal, Pop Punk, and a caricature of certain elements of Metalcore. They have record scratches, embarrassingly Caucasian attempts at rapping, and are presented in contrast to the set Eddie has built for them which is torn aesthetically between Spinal Tap’s Stone Henge and the Snaggletooth/War Pig design of Motörhead’s mascot of the same name(s). Eddie wishes to return to an earlier time when music was “real” (“earlier, like the early seventies), and soon gets his wish in being crushed by his own set and returned to the ‘age of metal’ by the metallic sigil of the fire God Ormagöden , sent to a realm thousands of years before modernity.

In this world, we find our fantasy. Amps are buried in cliffs, stone swords penetrate every hill, 20th century songs from subgenres of metal galore spanning from Ozzy Osbourne to Enslaved, Mastodon, Rob Zombie, and relatively obscure bands like Ostrogoth and Brocas Helm are literally buried within the ground itself. Beer flows from a sacred tree, car parts can be mined fully formed, and everyone dresses like they’re on a Manowar album cover. As you explore this world, which is only ours in the past, you discover that there are Gods, metal Gods, who left all of this for us to discover as our birthright, which has so far remained untouched. Humans as well as demons have failed to uncover these secrets. It is up to you, the working man of the future, armed with an axe, a guitar that ignites with a strum of a chord, to free the metal from the Earth, and to lead humanity to freedom, both against demonic forces that would seek to corrupt them and divide them, as well as against humans who would subvert the gift of metal for profit (represented by the aesthetics of glam or ‘hair’ metal). Eddie has returned to a time in which the power of music is ever more material and efficacious. In this world, Metal raises consciousness and razes buildings.  In this world, everything he sees reminds him of the aesthetic domain that makes his experience of this power something worth fighting for. He is out of his world, and yet closer to what he feels the world could and ought to be by his very escape from it. In the age of Metal all contradictions in this world are now obstacles to be negated in the fusion of work and play, of music and mass organization. The gameplay lends itself to this, being part 3rd person hack-and-slash, part real-time strategy, and part rhythm game.

The game in its narrative is thematically in a vague opposition to capital, but its opposition can only be expressed in the attempt to aesthetically transform and deterritorialize away the manifold tensions within Metal itself as a collection of commodified works of art. The game is set in the past, and yet everything within it, from the existence of amplifiers, to the 20th century music, to the omnipresence of t shirts, merchandise booths, beer kegs, cars, denim and leather—all of it screams with the production quality of the mid-late 20th century. As already described, most of these things are explained in their origin as being from a Metal quality imbued within nature itself by a race of Vikingesque (and seemingly, exclusively male) Titans before they ascended to Godhood. Metal is no longer a descendent of the Blues, Black culture, and the historical preconditions of Racial Capitalism. In this framing, all music is now implicitly a descendent of Metal, as is modernity itself. What went ‘wrong’ such that Eddie lives in his future (our present) is never revealed, because this game is not about saving the future, but remaining in a past which has a greater reality. It may even be that, by revealing the technology of Metal latent within nature, that Eddie has partaken in a causal time loop which brings modernity into being from within itself (and it is later revealed that he is a child of parents from this very past he is cast back into). From this past where all of the commodities of Metal are secured yet extracted from their commercial reduction to mere commodities as natural artefacts of a divine manufacture, Eddie can now fight against the encroachment of capital as a cheapening of the Metalness or Metality of nature. He frees the Headbangers, the outcast youth condemned to toil in mines, he organizes them to defeat the Glam Metal warlord General Lionwhyte in what the latter calls a “labour dispute”, and the mines themselves eventually become an employee-owned cooperative. The workers work for Metal first, not for money or to avoid boredom, and so the entire world becomes a musical tour, a nomadic festival of sonic war, taking place in an age of natural abundance of all that Metal’s people could want. In this world, there are no farms, breweries, sweatshops for hats, pins, patches, jeans, leather, and t shirts. The Metal Gods are in their heaven, never disturbed, and constantly rewarding you with the raised lighters of their favour. In the age of Metal, all is essentially right with the world; and Eddie Riggs now lives in an album cover from the early 1970s as he so desired in the game’s opening cinematic.

Aesthetically, the game compels me to nostalgia for the time of its own release, when I would indulge in the fantasies of Metal itself from Eddie’s own position (albeit at the age of a preteen, obsessed with the cringe-inducing self-seriousness Manowar and the beloved old occult vibes of Ozzy Osbourne). That I have been obsessively replaying it recently has taken my Metal nostalgia to a numerically higher power, and it forces me to wonder what the aesthetic fantasy of Metal truly is. To reiterate: Eddie Riggs escapes the world, and yet he escapes our world by moving deeper into its ground. All the trappings of our world which he finds pleasure in consuming are preserved, and he marinades himself in them just as he did in modernity. Like Eddie, I wear band shirts and have a ‘battle jacket’, a jacket with various attached pins and patches predominantly of Metal bands and associated iconography. A battle jacket is a source of individuality in its composition and assortment, a source of pride. Yet this pride obscures or at least is often unwilling to confront the fact that what merchandise does is less of a signifier of commitment to an aesthetic or conceptual ideal, and ultimately more of an act of free advertisement. Battle jackets seek a fight with the world and instead function as a billboard for musicians who today exist—wherever it is still possible to attempt such a career as a working-class person in the age of the dismantlement of the welfare state—as jingle-writers, as a touring t-shirt distributor of which they are both the band members and the brand ambassadors. Metal, due to the proliferation of relatively accessible music technology and internet distribution, is now for everyone. And yet it has only achieved this universality in allegiance with the world it sought to do ‘battle’ with. Manowar have never been ‘fighting the world’, nor have any band through music alone. They aren’t fighting because they are simply playing songs, and Brütal Legend aims first and foremost to reconcile this abyss at the heart of Metal performance.

Metal may sharpen its political tongue lyrically, as welcome efforts from artists such as Ashenspire, Panopticon, Feminazgul, and Dawn Ray’d have shown. Their aesthetic, escapist ecstasies also confront us with the failure of the autonomy of Metal as a work of art, in that our escape too is only illusory. Lovers of the music can unite to push fascist bands from venues, but we are only appealing to the personal moralities and commercial whims of proprietors, to one aspect of the economy in which Metal is a part. Everyone rightfully and thankfully can partake of Metal now, and all power to them, yet the mediation of this access is also that which denies us the ability to grasp this enjoyment as a collective material reality in which we can play a deeper part. Music may grant us individual enjoyment, even when it does so in the guise of a collective chorus of appreciation or the mosh pit of a habitual organizing of our emotional embodiment. However, this enjoyment qualitatively different from empowerment. The impulse to build the scene of our escape, the Heavy Metal Utopia, is obstructed by the poverty which impedes all counterculture for the working masses. Namely, the regime of private property, in which the mythology of the will which implants itself in objects is recognized by law as a narrative of legal personhood, in which objects become things and masks of personae become their owners, negates itself. Property, as the gift of a state which honours the contract of ownership, and holds the sole power to do so by virtue of its coercive force, exists only on the condition of its total absence. There can be no counterculture today under the now unchallenged hegemony of private property, because under this regime the fact is that nobody owns anything. The communities that make the shows what they are have control of neither venue nor platform nor resource, and this poverty of control over the aesthetic and material dimension of the ‘scenes’ becomes quantitatively and qualitatively closer to absolute truth every year. It is hard to escape the creeping conclusion that as metalheads we can only express ourselves as consumers, we can only vote with our wallets when we can (and this risks total detachment from the very things we consume which nourish us in this very identity as a ‘metalhead’). Our power is liquid, enmeshed in the flows of a despotic reign of capital, and so our Metal is the poisonous reactivity of quicksilver in the veins of our material reality.

Unlike Eddie Riggs, we have no birthright to the world defused of its tribulations in the simultaneous persistence of its treats, in which our work will love us back in divine affirmation through the aesthetic domain of music. We are faced only with our enjoyment and what it presupposes. We are haunted by the possibility of the ironic recognition that our musical endeavours are not enough, and our genre-obsessive remnants of archival taxonomy correspond to just as much of the organization of commodities than communal events of expression engendered in the rapture of song. The terror is that it is just music and all that is Metal has melted into the stale air of commercial equivalence. The fantasy of Metal is that we can be more than merely representatives of commercial art-products. The Heavy Metal Utopia in its impulse is a response to the trauma of labour and of mass marketized culture. The tips of Tony Iommi’s fingers were severed by industry in such a manner that they made his escape from the mills both possible and immanently desirable. Manowar represent the farce of this fantasy, what is the Triumph of Steel compared to the historical forces which have made such a metal ubiquitous to the point of banality? The autonomy of Metal in relation to these dialectical tensions is itself part of the same illusions of its own self-importance. The music of our times may speak in many modes upon which we cast our taxonomic nets in search of genre, and at various volumes, but its voice is one in the hegemony of the relations of the capitalist present.

Conference Presentation-Union of Stirner’s 2024: Max Stirner and the Labour of Abstraction

As Stirner begins Der Einzige und Sein Eigentum, so he concludes: Ich hab’ mein Sach’ auf Nichts gestellt. I have set my affair upon nothing.  To say that one has set one’s affair on nothing, to declare all that is holy and just, German and proper is not my Sache, that it matters nothing to me, is to declare that it is not worth one’s time. Who has time to be German, and to live and die in service to the nation? Who has time to be holy, when God is just man’s own shadow under which he returns swiftly to the void? Who has time to be just and proper, when the morals of the bourgeois ordain that who is without bread must starve instead of stealing? Who has time to become truly Human in essence, when I am already a human being in flesh and blood and need no convincing otherwise? Who has time to spare in bringing what is abstract into actuality, as if the very finitude of my working body (which is already actual), the time of my life, was nothing but a standing reserve to be commanded by alien powers with alien principles?

Stirner’s answer to all of these questions is ultimately the same: it is the possessed who has time. It is the subjected and the dominated. Whether such time is given ‘willingly’ in subjection through which lives become possessed by libidinal and ideological capture, or are taken through enslavement in which one becomes a possession, the result is the same. Namely, that the finite life-time of flesh and blood individuals is translated into labour time; as time spent directed towards the realization of something other than that being through the mediation of a commanding power which directs it towards the realization of its own ends, its own final cause. It is in this sense that I argue Stirner provides us not only with an account of captured labour as an articulation of the process by which abstractions are actualized through the work of individuals, but with a distinctive politicization of this dynamic. It is this which sets him against the Young Hegelian milieu in which he was writing. To summarize before we begin: where Bruno Bauer and Ludwig Feuerbach aimed to negate the alienation of humanity by replacing the abstraction towards which all were to labour to realize in the form of the Human Essence, Stirner politicized this very dynamic by which abstractions were necessary. He did so by asserting its material precondition in the work of realization itself and its mediating term: the finitude of individuals. It is this which I will conclude allows for a deeper reflection on the influence of Stirner on (and potential for productive synthesis with) Karl Marx, whose break with Feuerbach was practically forced on him by Stirner’s embarrassment of the Young Hegelians and their enthusiastic idealism.[1]

Der Berliner Ideologie: Feuerbach and Bauer

Whilst Feuerbach and Bauer are themselves profound thinkers with extensive bodies of work, all that we require of them here is their political-philosophical tendencies they came to outline the dominant positions as ‘thought-leaders’ within the Left Hegelian scene at the time. To summarize: each believed that their ultimate enemy was the form of government which we may call the Christian State, and that revolutionary forces and revolutionary thinking were necessary to overcome this form of government. What was in need of overcoming for both thinkers was not, however, the state in itself, but its Christian character. This is because Christianity—which was held by each (in its distinctly Hegelian interpretation) to be the pinnacle of religious development—is itself nothing more than a symptom of the alienation that sickens our self-consciousness. In Christianity, God becomes man in unity with other human beings through the holy spirit, and this is because Christianity is only a distorted, externalized mirror of the self-consciousness of Man and the essence of God the essence of the Human Species. For Feuerbach, the revelation of this truth—that we have discovered The Human being behind the God which human beings worshipped—required a new, revolutionary humanist philosophy, one which:

contains within itself the essence of Christianity, it abandons the name of Christianity. Christianity has expressed the truth only in contradiction to the truth. The pure and unadulterated truth without contradiction is a new truth—a new, autonomous deed of mankind.[2]

This renamed Christianity, having supplanted God with the Essence of Man, would become the governing principle of all human activity in which no human being would be alienated, for they only follow the principle within them, the humanity inside. The Humanist order is therefore a state made by men for Man as a species:

The state comprehends all realities and is man’s providence for him. Within the state, one represents the other, one is complementary to the other—what I am not able to do or know, someone else is. I am not alone and delivered up to the hazards of the power of nature but I am together with others; I am surrounded by a universal being; I am part of a whole. The true state is the unlimited, infinite, true, perfect, and divine man. It is primarily the state in which man emerges as man; the state in which the man who relates himself to himself is the self-determining, the absolute man.[3]

Bruno Bauer, whilst far from espousing the same positivity in as explicit terms as Feuerbach above, concurs as to the nature of God as alienated human self-consciousness. A former rising star of the old guard of the Hegelians, he was sent to refute David Strauss’ The Life of Jesus by demonstrating the dialectical necessity of the unfolding of the gospel narrative, only to have proven the dependence of the gospel truth precisely on this dialectic.[4] Emboldened and enthused by this damascene conversion, Bauer took upon a campaign of ‘pure criticism’, essentially a project of the intellectual critique of all that is present in the self-consciousness of men as they stand before the dissolving negativity of Bauer’s atheism, and it is only after the masses have lost their sense of particularity by submitting themselves to the critic’s intellectual assault that they will have joined them in readiness for revolution. The masses, according to Bauer, know not their own self-consciousness nor their humanity, and so they must submit to the critical criticism of critics such as Bauer himself, in which the genus is revealed to them as a “higher, universal power” which presents to the masses their “higher interests”, raising them to its self-consciousness via its pedagogy.[5]

Despite the brevity of these summaries, what is pertinent is that in place of the Kingdom of God there stands the revolutionary principle of the Kingdom of Man, as both latent and yet unreal, and which must be realized through the labour of human beings. All that remains from this position is the labour of negation by which the form of the essences’ external appearance, that of religion, is simultaneously and necessarily suspended and elevated by human hands into the realization of Humanity as a governing, essential actuality for itself. What is to be negated is the programming, the ends of mediation, and not the machine itself, nor the activity of realization as a productive movement under its command. It is here where Stirner enters the fold as our psychosomatic General Ludd.

Possession and Self-Enjoyment: Stirner’s Politics of Life-Time

That Stirner responds to the Young Hegelians by highlighting that they are swapping out one ruling abstraction, one idealized hierarchy, for another, is almost trivial in light of their own admission that they are doing so. However, what is most concerning for Stirner is not the abstractions themselves, but the relations that are preserved in the revolutionary transition that the Feuerbach-Bauer tendency offers as the new philosophical politics of emancipation. What is preserved, against even the negativity of the atheists and the critical critics, are relations of possession as posited between essences or ideals which are taken to be the governing rationale of the social order and the particular individuals who are governed by them. This relation of possession, in which Stirner playfully intertwines images of the supernatural and the proprietary, obtains in the form of libidinal and ideological capture. This relation does not take place between an actually-existing essence and an individual, as if Stirner’s phantasms had ontological substance on their own account. Rather, the phantasm or fixed ideas exists as an ideal image, a shape of consciousness etc. As Stirner remarked, a fixed idea “may also be perceived as “axiom;’ “principle;’ “standpoint;’ [Grundsatz, Prinzip, Standpunkt] and the like”, as well as in the form of what Stirner calls a “habit of renunciation” [Gewohnheit der Entatsagung].[6] What unites all of these notions is their functionality when it comes to regulating the activity and the ongoing practice of those whom they ‘possess’. That they come to possess individuals is not a function of their own personality—a position which Stirner mocks when he speaks of Bauer’s ‘critical’ philosophy which takes thoughts as existing on their own terms and as such having agency—[7]but rather a function of domination and the internalization of these phantasmal directives. Behind the immediacy of the caning stick stands familial discipline, behind the sensuousness of the bread and wine stands the essence of God, behind pomp and pageantry stands the ideals of fatherland. One is possessed by the life that determines consciousness in order to determine our finite lives, and as such makes us products of our time as well as products for the continuation of our times, a labour which requires our entire being.

The embodied aspect of this possession has recently been brought to the forefront by the work of Tim Feiten, who highlights that in Stirner’s account we “internalise ideological norms and materialise their effects in and through our own bodies. Similarly, our rejection of ideology and our self-assertion against it start with bodily exertion.”[8] This materialization of effects, like any other process, occurs necessarily in time, it is an exertion and expenditure of life towards the use of ends which are alien. In the case of Feuerbach-Bauer, the human species through revolutionary upheaval would be brought into a closer identity with itself via the annihilation of religion. Yet Stirner’s retort is that whilst the species may supposedly achieve agreement with its own concept in how the Human Being feels himself to be, the essential Human Being is no such human being; capital ‘M’ ‘Man’ is no one, and there are already human beings about, already existent, without such a need of confirmation and gratification as the Human Essence seems to require. Nonetheless, in positing this essence as the essence of every human individual, the revolutionary program of the Young Hegelians reveals itself as a revolution of realization of the Human through humans, and any deviation from this program is therefore dehumanized as inhumanity, as egoism. It is here where we must turn to Stirner’s intervention on the level of life-time, where Stirner articulates his concept of Self-Enjoyment.

Self-enjoyment or Selbstgenuss names the subsection which closes the main theoretical body of Der Einzige. That is, it is the penultimate section before its closing bombastic declaration which completes the circle on which Stirner claims to ‘have set his affair on Nothing’. Self-enjoyment is the enjoyment of the life that one has, the force by which one is alive and endures as living  within time. The enjoyment of this life is the consumption [Verbrauch]of life.[9] Stirner is intentionally playing with the idea of wastefulness here, because he highlights that this consumption is wasteful, it is to “squander” [vertue] life, as opposed to labour for the production [herzustellen] of a ‘true’ or essential selfhood by which he would be granted an identity with a fixed idea.[10] Meanwhile, as those possessed seek to find their ‘true’ selves, their actual life is passing away in time.[11] Time flows as life does, and our life time, that time in which we are manifest as our own in that we have agency within the world around us, is being appropriated by alien forces for their own ends. The seizure of our life-time is therefore fundamental to the reclamation our means of self as well as collective empowerment. I use the term ‘life-time’ here because whilst Stirner speaks of self-enjoyment as the squandering or consumption of life, this squandering is conditioned by its temporal finitude i.e. the inevitability of death. Hence Stirner’s rejoinder to Feuerbach:

I say: You are certainly more than a Jew, more than a Christian, etc., but you are also more than a human being. Those are all ideas, but you exist in the flesh. Do you then think that you can ever become a “human being as such”? Do you think that our descendants will not find any prejudices and limits to get rid of for which our forces were not enough? Or do you perhaps believe that in your fortieth or fiftieth year you’ll have come so far that the following days would have nothing more to clear away in you, and that you would be a human being ? The people of the future will yet win many freedoms that we don’t even miss. What do you need these later freedoms for? If you want to regard yourself as nothing before you’ve become a human being, you would have to wait until the “last judgment;’ until the day that the human being, or humanity, will have attained perfection. But since you’ll surely die before that, where is your victory prize?[12]

As it is death which sets limits to life, it does so within time. The politicization of the expenditure or consumption of life that Stirner introduces does not introduce life as a standing-reserve, a fixed quantity, but rather treats life as confronted and limited temporally by death in such a manner that the ends and objectives, the Sache, to which our finitude is directed becomes a question of politics. That is, as opposed a philosophical discourse over essences which sees the labour of abstraction as a problem only in regards to the identity of the abstraction with itself. That is, as to whether the Human Species is truly in-and-for-itself, a matter which for Feuerbach (among others) granted this abstraction a particular claim over the life-time of individual human beings. One seeks the empowerment of the abstraction in its elevation to a governing principle of the social order, the other seeks the empowerment of those individuals whom have since time immemorial died in servitude to the realization of abstract domination.

The term ‘empowerment’ here, which I take as synonymous with Ownness on the basis that power and property are made equivalent by Stirner, encounters some analytical difficulty on the basis that Stirner provides no quantitative measure of powers or capacity. Yet it is in the theory of self-enjoyment that we find a measure of empowerment in the quantity of free time or leisure time. That is, in distinction to time spent labouring on behalf of the realization of a governing abstraction or principle present in the social order. The struggle for self-empowerment, for Ownness, for self-enjoyment, is for one’s finite life time and the power to expend it free from domination. Insofar as subjection is the spending of one’s finite life time for the sake of the very order which has produced this subjection, this marks subjection and servility as a time investment; as not simply one in thought, but in an actual material cost in life itself. As such, Stirner declares that “the degree of my attachment and devotion marks the standpoint of my servitude, the degree of my trespass shows the extent of my ownness”.[13] The political order and its ideals and rationalities, its phantasms, its spooks, exist for us in the first instance as objective institutions of capture, and subsequently through such capture they exist for us as modes of subjection which shape our individual and social practice, because we devote our time to labouring on their behalf towards their objective reproduction. To trespass against such an order is hence a battle over the time of social and societal labours. Our power to resist command and capture is expressed in our self-enjoyment i.e. through our sovereignty over our finite life time, as it stands beyond the command of these systems which seek to compel us to labour for them through subjection. It is here were Stirner’s spectrality provides us with a prescient gothic image that will later become Marx’s own vision of the temporal monstrosity of capital, which “vampire-like, lives only by sucking living labour, and lives the more, the more labour it sucks. The time during which the worker works is the time during which the capitalist consumes the labour-power he has bought from him.”[14] Stirner’s originality in breaking with the Young Hegelian milieu on the level of criticism, is precisely this politicization of time in which the question of time’s value for the labourer themselves is brought into question, and the egoism of the worker is presented as the questioning of the value of time spent labouring, and hence labour itself is brought into focus as temporal servitude. Stirner brings forth subjection and servitude not as static notions, but as processes in the conversion of finite life-time into time subjected to the demands of ideals embedded in objective social conditions.

One such abstraction latent in the governance of Bourgeois society, as Stirner identifies it, is Capital. Capital, in Stirner’s view, holds the exertion of work as an “interest-yielding possession”.[15] However, this possession is not owned by the workers themselves, but rather in their own propertyless destitution it their labour is taken up by the capitalists. It is the capitalist class which extracts the most from the labour of the workers according to Stirner, pre-empting the Marxian theory of surplus value: “The worker can’t utilize his work according to the measure of the value it has for the one enjoying its result. “Work is badly paid!” The capitalist has the greatest profit from it.”[16] However, Capital is not itself presented as a phantasm, but money, the realization of which occurs across both poles of worker and capitalist as unequally distributed.[17] The directives of money for Stirner function phantasmatically on the ground that money as a directive corresponds to the legal system of propriety and personality that defines bourgeois society. The difference in kind across classes however is that the bourgeois sets workers to work as possessed labour for the creation of further value, money that makes money, capital, whilst the workers work for money for the sake of the negation of work, for monies which allow for leisure time, for self-enjoyment.[18] It is here that Stirner raises the question of worker insurrection, that of self-organization as opposed to being organized by external forces of subjection:

work, is not recognized according to its value; it is exploited, a spoil of war of the possessors, the enemy.

The workers have the most enormous power in their hands, and if one day they became truly aware of it and used it, then nothing could resist them; they would only have to stop work and look upon the products of work as their own and enjoy them. This is the meaning of the labor unrest that is looming here and there.

The state is founded on the—slavery of labor. If labor becomes free, the state is lost.[19]

The question of enjoyment therefore is a question as to the use and abuse of labour time and the challenging of forces which direct our time towards the ends of realization of those essential logics which are objectively issued as the commands of our social order. For the concrete existence of these orders depends on the subjection which produces servitude. What is actual of human beings and their labours does not exist only for what is essential, as if the truth were to be produced according to mere concepts, but is a matter of the practice of individual labourers channelled through the circuits of capture and subjection in which servitude becomes the labour of concretizing and reproducing the abstract logics of social command. This is a matter of the politics of temporal economy, the management and command over the use of finite life-time. It is here where I believe we can develop further Jacob Blumenfeld’s description of the “first-person” character of Stirner’s insurrectionary thought, where Stirner’s politics of self-enjoyment against the labours of abstraction opens up to a central struggle in Marx’s Capital, the struggle over the working day.


[1] Nicholas Lobkowicz, Theory and Practice, (Notre Dame, 1967), 413.

[2] Ludwig Feuerbach “Preliminary Theses on the Reform of Philosophy”, in The Fiery Brook, (Verso, 2012), pp. 153-173, 173.

[3] Ibid, “The Necessity of a Reform of Philosophy” in The Fiery Brook, (Verso, 2012), pp. 145-152, 150.

[4] Lawrence S. Stepelevich, “Translators introduction” in Bruno Bauer, The Trumpet of the Last Judgement Against Hegel the Atheist and Antichrist, (Edwin Mellen, 1989), pp.1-56, 24.

[5] Bruno Bauer, “Genus and Crowd”, in The Young Hegelians, (Cambridge, 1983), pp. 198-205, 199-200.

[6] Max Stirner, The Unique and Its Property (Underworld Amusements, 2017), 79. Hereafter UP.

[7] Ibid, 363.

[8] Tim Elmo Feiten, “Ethics of Care for the Brain: Neuroplasticity with Stirner, Malabou, and Foucault”, in Unchaining Solidarity, (Rowman and Littlefield, 2022), Ed. Dan Swain, Petr Urban, Catherine Malabou, and Petr Kouba pp. 83-102, 84-5.

[9] UP, 332.

[10] Ibid, 333.

[11] Ibid, 143.

[12] Ibid.

[13] Ibid, 346

[14] Karl Marx, Capital, Volume 1, (Penguin, 1990),342

[15] UP, 130.

[16] UP, 131.

[17] Ibid.

[18] Ibid, 142.

[19] Ibid, 133.

[Transcript] Radicalized by the Future: Are We All Sarah Connor?

[This is the transcript for my latest Zer0/Repeater video essay, which you can watch here https://youtu.be/tlHVV22ZW7c?si=t1weMfE1miH8ztrr ]

We know that our present contains within its heart the engine of a future that is catastrophic. We know that climate change, rising fascisms, new weaponries and forms of surveillance, each trained and tested on captive and colonized populations, are coming for us. What is terrifying about the future does not simply haunt us, rather it pursues us, because the agencies that will bring about this future are already with us in the present, working tirelessly to bring it about through fossil fuel extraction, imperialist war, and the unending march of the capitalist system as it reads headfirst into crisis after crisis. We have asked our politicians for change and for reprieve, and they do not listen, they concede more to this future, they radicalize themselves ever rightward, they will not halt this future before it hits us. The system is in full operation in its war against our planet, our present, and our future. It can’t be bargained with, it can’t be reasoned with, it doesn’t feel pity, or remorse, and it absolutely will not stop, ever, until you are dead! That last line, was from the character Kyle Reese in James Cameron’s 1984 masterpiece The Terminator. Reese is a human resistance soldier sent back in time to warn Sarah Connor that in the future, mankind’s cybernetic war machines—in the form of the Skynet and its terminator drones—have waged war on the Earth to its near total destruction. It is Sarah’s son, John Connor, who leads the resistance to its eventual victory, but not before the machines sent an agent of their own back in time to kill Sarah and prevent the victory of man over the machine. As anyone who has seen Terminator knows, Sarah does indeed succeed in fending off Arnold Schwarzenegger as the titular robot assassin. Yet, in the wider franchise the central premise of the series remains the same. There is always another terminator coming to destroy the resistance in the present. The Terminator must constantly act to prevent the future victory of resistance in the present, or the present victory of resistance.

By the time of the second film Terminator 2: Judgement Day, Sarah Connor is fully radicalized by her experiences. She knows what is coming, and is militant in her attempts to prevent this future from coming into existence. She will not leave the job of defeating the machines to her son, she does not resign herself to any fate regarding the “eventual” victory of resistance. Rather, her knowledge of the material conditions that produce this awful future have radicalized her, she has embraced her situation not as a passive observer, but as an agent active within history, fully conscious of the power that the present has over the future. Sarah is not treated well within her own present, she is medicalized, incarcerated as insane, and all the while whilst the products of the same world that produced Skynet, the terminators, are in hot pursuit. She cannot look away, she cannot return to her old life, because she has achieved a kind of historical, political consciousness. Now, we, unlike Sarah Connor, do not have any dashing time travelling guerrillas to tell us of our future, this is true. Yet our future does not need to reach back to us in order that we may see it, it is already before our eyes. For example, The consensus on climate change is overwhelming from scientific sources in the present day, and activist groups such as the Indigenous Environmental Network, Extinction Rebellion, Just Stop Oil, and so many others are constantly highlighting the coming catastrophe as well as the disasters that are already here. According to the UN’s refugee agency: “In 2022, 84 per cent of refugees and asylum seekers fled from highly climate-vulnerable countries, an increase from 61 per cent in 2010… In 2020, only one per cent of refugees were able to return home – a challenge which will likely grow, as the impact of climate change further deteriorates basic living conditions and opportunities for development in many countries of origin.” As extreme weather conditions such as droughts and hurricanes increase and as sea level-rises accelerate, more people will be made into climate refugees, and we know in the present how the border regimes of the world police, enclose, and exploit refugees. As governments across the world from Britain to the America, Argentina, Hungary, India, Russia, move further and further to the right-wing, their xenophobic ideologies and border polices will mean they are turning to more repressive technologies of governance to surveil, oppress, and deport these refugees, with sometimes deadly consequences such as closing migration routes for asylum seekers, leading to many dying in deadly small boat crossings such as in the English Channel and the Mediterranean. New techniques and technologies that will eventually be deployed closer to home in the imperial core amongst the affluent nations will not come from the future, but from our present, at the borders, and in places where these technologies are tested in neocolonial forms of apartheid, and in those regions where our mineral wealth is extracted and stolen, the same resources that fuel the climate crisis. For those of us in the affluent West, our Kyle Reese is the Mediterranean, it is Congo, it is Gaza. To darkly invert the words of William Gibson, the future is already here, it just isn’t redistributed yet. We know it is coming, if we are to let this radicalize us, then we will all be Sarah Connor.

This future we can see in the present, it doesn’t just come to us directly, but by means of an other machine: media machines, social machines, or otherwise. In the Global North we can risk ignoring it, but it’s a harder ignorance than ever to maintain, there is always that radical contingency which breaks through, and it will break through with an ever greater intensity as solidarity spreads like wildfire throughout our public discourse. This, as the futurist novelist and theorist Carl Neville writes is the true lesson of the Terminator, not the inhuman robot, but the contingency that so often accompanies the call to radical action:

The Terminator reminds us, then, that we are all subject to contingency: our lives can be ripped away from us at any moment and the call to take a stand may well seek us out. We all exist somewhere along a continuum of historical, political, and ethical commitments, capable of being pushed into a deeper and more active engagement with our times, depending on the circumstances. This ‘radicalisation’ is of course ambiguous, and this ambiguity is another filament in the cloud of dread that descends when we are obliged to consider history, its trajectory, and our response in the face of its demand. It’s this central human problem and our lingering — though diminishing — capacity, at least in affluent countries, to look away from or sidestep it, that The Terminator addresses. Sarah Connor’s inability to go back to the life she had before or to avoid the strictures of the new life she sees coming is what forms the core of The Terminator’s greatness and gives it an enduring resonance over time and across cultures, anywhere the problem of the future looms large.

How we will we respond in the face of our present future is up to us, and this us is a global ‘us’. We have no guarantee of a global John Connor, at least not in the individualist sense. Terminator is ultimately limited by a heroic narrative that places the burden of victory on a single individual. Yet, at the same time, this individualism is undermined by the fact that John Connor is not a historical inevitability, nor any kind of messianic superman, but a collective endeavour made possible by the actions of so many individuals across the Terminator franchise. John Connor is, in fact, a spearhead of the resistance brought into being by the militant unity of present, past, and future that is the historical force of a radical consciousness which chooses life over systemic, digitalized death and the world which has made and is making such apocalypses possible. If we are all Sarah Connor, it is because we are simultaneously participating in a new becoming; in a revolutionary, radicalized mode. We are within the flux of a becoming John-Connor. Long live the resistance, death to the capitalist machine.

The End(s) of Philosophy: Commentary on Marx’s Theses on Feuerbach

1

The main defect of all hitherto-existing materialism — that of Feuerbach included — is that the Object [der Gegenstand], actuality, sensuousness, are conceived only in the form of the object [Objekts], or of contemplation [Anschauung], but not as human sensuous activity, practice [Praxis], not subjectively. Hence it happened that the active side, in opposition to materialism, was developed by idealism — but only abstractly, since, of course, idealism does not know real, sensuous activity as such. Feuerbach wants sensuous objects [Objekte], differentiated from thought-objects, but he does not conceive human activity itself as objective [gegenständliche] activity. In The Essence of Christianity [Das Wesen des Christenthums], he therefore regards the theoretical attitude as the only genuinely human attitude, while practice [Praxis] is conceived and defined only in its dirty-Jewish form of appearance [Erscheinungsform][1]. Hence he does not grasp the significance of ‘revolutionary’, of ‘practical-critical’, activity.

Comment: The common translation of thesis one is constantly troubled by the multiple ways in which German renders the term that we hold as ‘object’ in English. Marx’s criticism in the first thesis is to invoke the object as Gegenstand  (literally, standing-against) against Objekt, that abstract and alone object of knowledge which Feuerbach’s Anschauung [contemplation, but also notion] focuses upon. The criticism is that when sensuousness is taken as Objekt, it is taken as a detached abstraction. This is even the case as the materialism of Feuerbach acts in a manner against idealism and against religious thought by arguing that the religious impulse, our feelings of faith and closeness to God in religious belief, are none other than the alienated feeling of the Human towards its own essential qualities. For Feuerbach, Man is God to man as alienated from himself, as projecting all that could sense himself to be into the supersensuous beyond. Feuerbach’s revelation is that behind the mask of Man stands God, and that the object of religion is to be replaced therefore with anthropology, with the essence of Man as the governing principle of all ‘future’ philosophy. Marx’s criticism is that Mankind taken as an alienated Object refuses to think of the existence of individual humans in their actual practice. Feuerbach, in leaving the subjective level of activity to be developed by the idealists, has missed in his simple inversion of Hegelianism the fact that the activity of subjects occurs in an objective manner in relation to the conditions that determine and confront them, i.e. in relation. Our subject-object relations are not conceptual relations of identification in and for thought alone, but rather the dialectic of subject and object is itself situated within objective conditions and relations. Subjects objectively practice their subjection. Practice ought to be considered objectively, as gegenständliche [as standing against, that is, as a relation]. It is through this reorientation from Objekt to Gegenstand such that we could consider objectivity from within the objective realm itself, from within the process of what for Hegel was ‘experience’ and for Marx is the social practice which determines experience.

2

The question whether objective truth can be attributed to human thinking is not a question of theory but is a practical question. Man must prove the truth, i.e., the reality and power, the this-sidedness [Diesseitigkeit] of his thinking, in practice. The dispute over the reality or non-reality of thinking which is isolated from practice is a purely scholastic question.

Comment: Truth is not a matter of comparing thoughts to themselves in pursuit of non-contradiction or the resolution of tensions in mere thinking. Whether thoughts are ‘real’ of their own account gives no account of their practical efficacy nor their actuality as principles or rationalities governing the way in which humans confront their reality objectively, that is, in their subjective experience aligned with and in determination by social practice

3

The materialist doctrine that men are products of circumstances and upbringing, and that, therefore, changed men are products of changed circumstances and changed upbringing, forgets that it is men who change circumstances and that the educator must himself be educated. Hence this doctrine is bound to divide society into two parts, one of which is superior to society. The coincidence of the changing of circumstances and of human activity or self-change [Selbstveränderung] can be conceived and rationally understood only as revolutionary practice.

Comment: The old materialism places the object as an idea detached from practice and hence from its vehicles, its mediating factors, which in the form of the subjective activities actually conducted by sensuous human beings. Society’s essence is not superior to society in producing it, the conditions are in constant reciprocal relation and determination in the historical time in which activity occurs objectively i.e. determined by relations of practice as well as the acts of practice themselves as they actually occur.

4

Feuerbach starts off from the fact of religious self-estrangement [Selbstentfremdung], of the duplication of the world into a religious, imaginary world, and a secular [weltliche] one. His work consists in resolving the religious world into its secular basis. He overlooks the fact that after completing this work, the chief thing still remains to be done. For the fact that the secular basis lifts off from itself and establishes itself in the clouds as an independent realm can only be explained by the inner strife and intrinsic contradictoriness of this secular basis. The latter must itself be understood in its contradiction and then, by the removal of the contradiction, revolutionised. Thus, for instance, once the earthly family is discovered to be the secret of the holy family, the former must itself be annihilated [vernichtet] theoretically and practically.

Comment: Feuerbach’s revelation is that the essence of God is man, and religion is our alienation from our objective species-essence. This alienation of Man from Man is a contradiction to be negated via criticism in thought, yet Marx highlights that this contradiction must impel the practice of religiosity, the very creation of religions, from an initial motive contradiction in the material basis of alienation itself, such as the family structure and its elevation to divinized archetype.

5

Feuerbach, not satisfied with abstract thinking, wants sensuous contemplation [Anschauung]; but he does not conceive sensuousness as practical, human-sensuous activity.

Comment: Sensuous contemplation considers only the concept of man’s reality against ideas, which is itself only an idea insofar as this replaces the concept of religious feeling, of faith, with a feeling as to what is true of the human in-themselves. However, what this occludes is any dialectical criticism by which what is known of man’s actuality is known in-and-for these people themselves. The task is to consider not only the objective results of mankind’s sensuous reality (perceived in their immediacy as detached Objekte, not Gegenstände as relata of practical relations), but precisely to perceive them as results, that is, in relation to practical activities which realize them and may revolutionize them on a contrary practical basis; one revealed in an immanent possibilization of revolutionary practice. To take on board the methodological point from Hegel that the Absolute is the result and how it comes to be, is to situate oneself in relation to a dialectic of relations from which results are resultant and from which development develops.

6

Feuerbach resolves the essence of religion into the essence of man [menschliche Wesen = ‘human nature’]. But the essence of man is no abstraction inherent in each single individual. In reality, it is the ensemble of the social relations. Feuerbach, who does not enter upon a criticism of this real essence is hence obliged:

1. To abstract from the historical process and to define the religious sentiment regarded by itself, and to presuppose an abstract — isolated – human individual.

2. The essence therefore can by him only be regarded as ‘species’, as an inner ‘dumb’ generality which unites many individuals only in a natural way.

Comment: Here Marx takes on Stirner’s critique of Feuerbach, i.e. that what is essential in man is no “abstraction inherent in each single individual.” You are not what you are because an essence is ‘within’ you, spiritually linking you to its community as if the spectre known as ‘Man’ possessed you for its own ‘humane’ ends. Where Marx goes further is to return to criticism on the basis that the reality that the Wesen, essence or being (one can use either without needing to import a stringent essentialism, for that has been dealt with by the adoption of Stirner’s critique), is none other than “the ensemble of the social relations.” As a consequence of Feuerbach’s avoidance of this position, he has to fix the impulse of religious feeling as something outside of social relations as an isolated Man who alienates himself and the species therewith. This is the meaning of Feuerbach’s generic essentialism.

7

Feuerbach consequently does not see that the ‘religious sentiment’ is itself a social product, and that the abstract individual that he analyses belongs in reality to a particular social form.

Comment: In response to both Feuerbach and Stirner, the social is the focal point of the origin of religion and indeed of the individual. What Stirner lacks in relational criticism, he does so in rejection of philosophy; he does not know what to do with it. Marx’s solution is sociological, that social products present us with a fuller critique of the abstraction of Die Freien, those Young Hegelians in Berlin.

8

All social life is essentially practical. All mysteries which lead theory to mysticism find their rational solution in human practice and in the comprehension of this practice.

Comment: Social life is practice, dynamism, relation, and process. This is the solution to all mysticism when these proceeding notions are given a social character, in that they enter into the structure of their Objekt, rendering it Gegenstand.

9

The highest point reached by contemplative [anschauende] materialism, that is, materialism which does not comprehend sensuousness as practical activity, is the contemplation of single individuals and of civil society [bürgerlichen Gesellschaft].

Comment: In contemplating individuals alienated from their species essence, separate from themselves, they are also separate from each other as individuals within that species, only having an alien unity. In this way, the individualistic atomism of material conditions reflects the principles of economic competition, in which the truth of the individual is the person in property, and in their stakes as set against each other negatively in bourgeois competition. “Civil Society” is not an improper translation per se, but it is much more illustrative to render it more directly: Bürgerliche Gesellschaft as Bourgeois Society.

10

The standpoint of the old materialism is civil society; the standpoint of the new is human society or social humanity.

Comment: The standpoint of the old materialism, taken dialectically in the view of the new materialism, is not merely the point from which it starts its investigations. Rather this standpoint from which contemplative materialism imagines itself as departing is itself a result of actual practice. Namely, the form of socialized [gesellschaftliche] human practice that manifests as Bourgeois Society. Life determines consciousness in its living activity, of which thinking is not an asocially detached species, nor its thinker an abstract genus.

11

Philosophers have hitherto only interpreted the world in various ways; the point is to change it.

Comment: The addition of “however” in some English translations (supposedly added by Engels and present in the 1951 Selected Works) renders an ambiguity in this thesis towards philosophy itself. Whether Marx is offering a new social mission for philosophy, or is instead relegating it to the practice of interpretation rather than practical revolution informed by new materialist interpretations, is ultimately unclear. Philosophy may offer itself in service of this new social materialism, with an aptness for pedagogy when it comes to dialectics, although the philosophical monopoly on method may be precisely that which Marx has undermined in his seizure of the means of interpretation from the interpreters themselves. One of the terrifying things about this passage for philosophers, particularly of the Hegelian and post-Hegelian flavour whom Marx was engaging with, is that the absolute has passed philosophy by in the revelation of the social totality as the truth of all notional contemplation and idealistic mimicry of the real activity of sensuous human beings. The fear is that, for once, it is not at all about the philosophers, about ‘us’. To return to thesis III, it is the revelation that the knower knows nothing and the educator must themselves be educated. It is the melting away of all that is solid into the flows of relation and relata, each erupting into the manifestation of the other in the bloodied effervescence of man’s social history. It is this which stands before the philosopher, no longer as Objekt—as notion and feeling of revealed essence in contemplation—but as the dynamic of opposition, the standing-against of the Gegenstand, which places the philosopher themselves into its melee, in which he too is under question from within and without through the forces which make his queries possible.

Paragraph Commentary: The Dialectic of Lordship and Servitude, for the Upcoming Seminar.

Attached is a breakdown of the sections of Hegel’s Phenomenologie assigned for the upcoming Bataille, Kojeve, Hegel, sessions over on the Acid Horizon platform. But I’ve posted them up here for general usage. For any questions the usual channels are always open.

166. Self-consciousness is the first production of an identity between knower and known insofar as it takes for its principle that every object is an object of consciousness insofar as it is an object for a subject and therefore is dependent on the presence of a self for which it is the object of self-consciousness. Certainty and truth, in-itself and for-itself, implicit and explicit, but now the implicit self is becoming explicit to itself, it is self-consciousness. This leads it to make a distinction which is for it, no distinction at all, because self-consciousness still has consciousness, it has experience of other things, other objects; but because it sees them as all essentially tied to itself, it sees itself as something which stands over them, the objects depend on the subject to be objects.

167.  Self-consciousness lets themselves go into the object in experience to make an explanation of it and therefore receives itself back with something more, knowledge. The problem is that so far this knowledge is just that every object is an object for a subject, and this subject now has an immediate sense of itself, namely that “I am I”. I am I, and I know that through objects, which are none other than I. That is the shape of consciousness, the criterion of knowledge operating here now, so let’s see it operate now it has formed on another object. It has the implicit unity with itself, it knows that in principle it is self-consciousness, but only has the abstract the notion of this unity as it has developed from a consciousness that itself had to become self-conscious rather than being as such from the outset for itself. It is only a self-consciousness of consciousness, not a self-consciousness of self-consciousness. We started with an idea of consciousness, then that produced consciousness as an experience from which the protagonist of the phenomenology developed the idea of self-consciousness as the new, elevated way of knowing. So, he’s not going to stop, it’s going to keep on knowing because now it has this new, special object alongside all of the others, itself. Self-consciousness seeks the unity of its idea of what it is for itself, an explanation which gives it satisfaction, through an object, and therefore self-consciousness, impelled forward by its lack of explicit being for itself, is desire.

168. For the satisfaction of this desire, it requires objects to experience in order to develop itself through working through them all and negating the distinction between itself and its object. Well, until that distinction is negated, the object for all intents and purposes has a life of its own, its own inner motion, the very same motion which compels self-consciousness to desire its own self-consciousness, its own being. Self-consciousness too knows this, it knows that the object of its consciousness is implicitly just itself, but that the object doesn’t know it, because it hasn’t destroyed the distinction between the two. The relation to the object that self-consciousness maintains is a negative one: “you aren’t me, because you are an object, but if I negate your independence, the distinction between us, then you will be one with and as me and I will know that I am right.” The object has no independent existence for self-consciousness at this point in the play other than its own. However, if the essence of self-consciousness is independence, and self-consciousness’ essence is the same as with its object, then Hegel foreshadows that we shall see the protagonist learn that its object, which is itself on the side of that which is alive and has a living being of its own, is as independent as it is, and therefore until it recognizes that, it will remain unsatisfied.

169. Here we enter one of the most dazzling paragraphs in the whole book. Life as a fluid medium that in its being (Essence, the German Wesen means both) which is constantly generating distinctions and negating them in the flow of continuity, creating enclosures of distinction and discontinuity only as moments which allow them to hold up and manifest the continuum of life as a motion throughout time and space. What is living as an independent, distinct being, dies and in doing so allows a continuity of life itself where the boundaries between distinct beings are suspended [the boundary maintained by our immune systems breaks down upon death, allowing for putrefaction, the boundary of an animals body is severed by the jaws or the butchers knife for nutrition, excretion involves the egress of fertile matter onto the soil etc.].

170. Life is therefore divided within itself, indeed on the level of an individual living being. Here, self-consciousness divides itself against living objectivity vs its abstract, transcendental apperception, its empirical mode of experience amongst living objects and as one, vs its principle of knowledge that “I am I”.

171. Life, divided within itself, and divided within those distinct moments of its division, divide the universal process of life into distinct processes which make up moments of the whole. As independent moments, they are living things, which like life exist by establishing a discontinuity between living beings and in superseding such distinctions such that life can go on (one living being encounters another living being, marks it out for death, kills it, and in consumption transfers the energy of death into living nutrition for itself and for other lifeforms around it). Energy is always conserved as life and of the universe in which living things subsist and perish, in “the self-developing whole which dissolves its development and in its movement simply preserves itself.”

172. The distinction that life posits for self-consciousness is that of the genus. What is meant by this is that self-consciousness, in wanting to make everything manifest knowable according to its own “I am I”, sees all living objects as essentially moments of itself, they only exist because of and for it, because all objects are only objects for a subject.

173. The object’s life is already the life and unity of self-consciousness, so all it has to do is prove this by destroying the distinction. If, however, this is correct, then self-consciousness has contradicted itself, and it is this contradiction which we are now going to see unfold.

174. Self-consciousness, in taking itself to be the true life of the object, takes this life, and does so by negating the distinction between the two. It wants the other object to destroy it, and so it does. In doing so, it shows how the object’s continued independent being, its life, was therefore dependent on them. They have objectively destroyed it, and so clearly, objectively they can take life, and so life is dependent on them for its continued objective living (well done!).

175. The problem with this, is that self-consciousness is clearly dependent on the object in order to satisfy itself, and if the object didn’t have independence of its own, it would hardly be possible to negate said independence. Not only that, but once the object is gone, it’s gone. That’s only one object in the infinity of life, you haven’t really proven that every object is an object for a subject, just that one. That pint, that pig, that pansy etc. What it needs is something which somehow sticks around after its independent moments of life and existence have been negated. It cannot get what it wants from a particular thing but from a universal thing, something which encompasses all Life as its conditioning unity and independence above them. At this point, self-consciousness turns to itself and says “hold on, I knew it all along! I’m that sort of thing!” A living self-consciousness presents the universal in the individual, both moments of what self-consciousness wants in one! Both moments of the distinction, and the distinction itself, in one bite.

176. What it desires is its own active nature, its universal life, which at this stage is desire itself, a thing which divides itself against other living beings in order to negate this distinction and in doing so achieve satisfaction. The object of desire to which our protagonist was previously hopelessly addicted was consciousness, and here it is going to attempt to break the cycle by making its object another self-consciousness, which from the viewpoint of the first would be objectively what it is for itself in principle.

177. We know what consciousness is at least in its object, but what sort of object is self-consciousness? Isn’t that exactly what we were trying to do earlier by breaking down that distinction? Well, all that is known so far is that in desiring another self-consciousness, it desires something that is just as much ‘I think’ as something which is a living object. This is true for ourselves too, to the extent that we have an empirical sense of our subjective life as individuals at the same time as the location of our experience is always conditioned and structured apperception, that ‘I think that X’ may accompany all our representations, thus giving them a kind of mine-ness which makes an experience mine and not someone else’s. That the full-blooded nature of subjectivity can be experienced and produced only across such divisions as it flows through each and returns to them, this is Hegel’s innovation, the notion of interdependent, developmental motion that is Geist. What we shall see is both the mutual interdependence of our transcendental subjectivity and our empirical subjective experience, conditioned by both said apperception and the empirical ground of life on which it stands as active and objectively operational. Similarly, we will see this on the social level on which self-consciousness exists for itself only through the mediation of another self-consciousness and vice versa, making the defining universal character of their self-conscious self-knowledge a matter of mutual interdependence.

178. If consciousness is cognition [erkennen], self-consciousness will reveal itself as re-cognition [Anerkennen]. Cognition points to you as the true object of cognition, and so with that in mind, you cognize that which you are according to this truth, doubling the reflection and in doing so consummating it.

179. Self-consciousness, in looking for itself, has found itself in another self-consciousness. Its essence therefore stands as the same kind of being, and therefore independent from all objects by definition (the definition that self-consciousness has of itself). In claiming that another is a self-consciousness, its own object of desire, it has therefore granted this other the status of its own desired independence which it yearns for.

180. In this movement of desire. Self-consciousness will negate the independence of the other self-consciousness. But, in doing so, it negates its own independence, for the other’s independence is its own. This is the productive contradiction which is the motor of this dialectic.

181. The only way for this to really work is if both self-conscious beings do this at the same time, for in bestowing the other their own independence, each receives it back through the other, and indeed through an other whom does so as an object and hence objectively through an action in which each gets what they want. When each wills the other’s will for independence, they support each other, and in doing so render themselves actual and explicit two each other and hence for themselves.

182. They are the same self-conscious beings because they are known as such, because it is a mode of knowing or ‘shape of consciousness’ as Hegel would put it. This shape is in the form of a motion of desire, and therefore both want the same thing, and it is said desire which makes each that thing for the other.  One-sided action is therefore defeating, for both have to want the same thing and therefore be and act in the same motion of desire.

183. This is how the action can be both one motion yet divided between two moments or agents which complete the circuit, much like the poles of a magnet.

184. Ultimately, each self-consciousness will be the tool and the medium by which each realizes themselves for-themselves through being for the other, and in this, what they implicitly know becomes explicit in this experience of interaction. Not only do they mutually recognize each other, in doing so they establish in practice that they are the type of beings that can mutually recognize each other at all, retrospectively instituting themselves as actually self-conscious, in and for themselves.

185. Self-consciousness will have to learn to share, but at the first pass it wants a kick. It sees the other self-consciousness as something which will allow it to have its cake and then eat it. The other will recognize the independent of the first, but in negating the other’s independence, the first will give no such thing back, having successfully made the other dependent on itself for its life.

186. First however, comes the test of the object. Both, in being desire, posit a distinction between themselves and life, with their selfhood standing independent from all particular life, including their own. To risk ones own particular life, to put it at stake, for the sake of negating the other’s independence of life, therefore marks each out as the object of desire for the other.

187. The staking of the life of each is made a real possibility by their fighting to the death for the sake of their independence which each sees the other as being the key to attaining. Each offers their life in the same motion by which they try to take the other’s. This motion is enough for each to gain a sense of their independence from their mere life, for they are not so attached to it that they do not believe themselves to be nothing without it (for they believe that ultimately they are above it all).

188. Death could be the end of the story. Both could die happy (or with some mutual last instants of regret), or one may die and the other will feel more powerful for a time until it has to find another self-consciousness because you can only kill a man once (that is, until one gets to the section on Christianity). Death is the end of consciousness, an abstract negation which is necessary to be dealt with, but kills off the development. Even if one survived, it would revert to constantly needing to kill other self-consciousnesses and we enter the same infinite dependence.

189. Therefore, the self-consciousness must survive the negation of its independent life, by being made into a servile life relationally tied to the other by the satisfaction of their desire. The losing self-consciousness, having realized at the same time as its counterpart the necessity of life for the continuity of their desire, is therefore forced into bondsmanship [Knechtschaft, taking from the feudal root of ‘knight’, not ‘slave’ or Sklave in the German].

190. The servant’s position is to be the medium by which the Lord [Herr] comes to gain satisfaction. Satisfaction is gained by the negation of objects that are mediated through the servile self-consciousness, whom in working on them imprints the negation of their objective immediacy, and in this way becomes dependent on those objects for the master. It is as if the original destroying of objects we saw in paragraph 175 was outsourced, and the bad bit, the dependency on the life that was to be negated, has been given to the servant. The servant kills the chicken, works on it by stamping it with its own individuality (let us say that this self-consciousness is called ‘Colonel Harlan Sanders’), and does so on pain of death for disobedience. The master, having outsourced their dependency to the servant, simply affirms their independence through the negation of these objects (let’s say, a vast quantity of popcorn chicken) which no longer have their own independence after having been worked on by the servant, the first impasse we saw can now no longer occur. The master, having secured a source of the objects of desire where their desire is not to be frustrated by the servant lest the latter be put to death, now sees the matter closed.

191. Yet, the Herr is dependent once again, on the servant. The master exists only for themselves and nothing else. The relationship between the two enacts once again a dual motion. Mastery reduces the servant to dependency, and mastery has in doing so done this to itself. Servitude produces independence as a truth of elevation beyond immediate life for the Master, yet as we shall see, this truth is equally one of and for the servant themselves.

192. If the Lord is so essential, the defining aspect of the operation, then why is Lordship’s independence dependent on something else whose independence it has negated? The medium is the message, and the medium is dependency, servitude.

193. In the same way, the truth of servitude is that it is they who are really in control, it is they whom can put aside their life for the life of another. We simply need to unfold this motion further.

194. Rather than looking at it from the side of the Master, let us turn to the servant. The servant, having entered bondage to escape death, therefore ties their life to that of the master, and indeed works for the others life and in doing so recognizes them as master. The master is dependent on them for this and this is the revealed truth, that whilst the truth of mastery—its resultant form—is servitude, so does the servant produce themselves as the master of the master’s life and therefore master of their own life. This however is only a principle for us, the observers of the phenomenological drama. The servant’s experience of this is described by Hegel as the experience of terror before the Master, both the living Master and the power the oppressor hands over them like the sword of Damocles: death, the Absolute Lord, absolute negation. In its desire to preserve its life, the servant has detached themselves from the very desires that defined what it was they knew as life, and what were living for. Here, they have therefore detached themselves from this dependency through the mediation of the Master through the objective practice of service.

195. Whilst the bondsman is by no means fully ‘class conscious’, they are no proletarian revolutionary, they nonetheless gain a sense of their independence, their capacity and efficacy in the world as a self-consciousness, through working on the world, through the formative activity of mediating life through not only its own independence and capacity to negate the independence of other objects, but equally through the life of another whom grants the servant their life. Its own independence is reflected back to itself through the object worked on. This is one-sided recognition again, yet the one-sidedness here produces a side that can produce in a diminished capacity another side from which recognition can provide some satisfaction (Harlan Sanders, transcendentally proletarianized, stares back at himself from a family bucket as he hands it to the Master).

196. It is through this fear of death, service, and obedience to the direction of another, that the servant mediates themselves above their immediate life for the sake of a mediated one. Their fear of death confronts them in their tasks for the Master, and is this which they are constantly confronting (if the boss gets hungry, it’s negation time) in the process of work. They are facing their fear, the negation of their independence, all the time. They are nonetheless preserving themselves through it, and in doing so making themselves, for themselves, an agency on their own account. The independence that they alienated in being bound to the master returns to them in the masters dependency on the servant’s capacity to work on the world, solidifying for the servant their agency. They are nonetheless in a condition where the mutual recognition ideally described has not arisen on the scene, and indeed when it comes to this dialectic of Herrschaft und Knechtschaft, it will not. Self-consciousness nonetheless has produced a new sense of itself, a consciousness within subjection, and this is its task and principle for what is to come.

Transcript: Data is Dead Labour: The Lie of ‘Artificial Intelligence’

[This is the script for the Acid Horizon video “Data is Dead Labour: Capitalism, Ideology, and AI” which you can watch here https://youtu.be/kr3tE0D7UhI ]

Just how artificial is ‘artificial intelligence’?

The following piece concerns the phenomenon of so-called ‘Artificial Intelligence’, not as a speculative possibility, but first and foremost as a political image that has a corresponding economic and political actuality which precedes and must precede a merely philosophical interpretation of it. In brief, the autonomy of ‘Artificial Intelligence’, that is the ‘self’ part of its supposed self-organization, which as we will see is  often touted as becoming autonomous even from humanity itself, is a pure mystification. If we were to truly gaze upon these machines as the computational prisons of labour that they are, we would be justified in shuddering before their falsity, in recognition that we too are confined and en-celled within their cybernated zones of control. The following discussion is not an argument, a disputation, or a call for a debate, but a polemic against the ruling class of our Cyberpunk Present before the act of philosophy proper can begin: the formation of concepts in a manner hostile to the order of things.

Artificial intelligence is all the rage these days, or so they say, it’s the new revolution that’s got all the luminaries of the ruling class and the silicon valley libertarians just creaming themselves in a mixture of religious awe—that is, ecstasy and terror. The promise of AI has had everyone from the Genocidal elder-beast of the Pax Americana, Henry Kissinger (who will sadly in all likelihood still be alive at the time of publication), former Google CEO Eric Schmidt, and Dean of the MIT Schwarzman College of Computing Daniel Huttenlocher (academia proves itself a site of well-funded idiocy as per usual) have even put out books and articles on the coming AI revolution! They speak of a process by which inanimate objects start to learn and self-organize, maybe even *gasp* achieving that magical God of the gaps—emergent consciousness! Let us not jump ahead here though, let us hear out the revolutionary tribunal of the AI explosion! These happy few, carried ahead to such conclusions by the unfolding history of statecraft, innovation, and academia! They boldly declare that

“Heretofore, digital evolution has relied on human beings to create the software and analyze the data that are so profoundly affecting our lives. Recent advances have recast this process. AI has made it possible to automate an extraordinary range of tasks, and has done so by enabling machines to play a role—an increasingly decisive role—in drawing conclusions from data and then taking action. AI draws lessons from its own experience, unlike traditional software, which can only support human reasoning. The growing transfer of judgment from human beings to machines denotes the revolutionary aspect of AI”

They do not believe that humanity has made AI in our image, far from it, the revolution is inhuman, nay, post-human! They actually go as far to proclaim that “the word intelligence does not adequately explain what is occurring” here, and I wholeheartedly agree with our triumvirate of cybernetic triumph! They say that to ascribe human qualities to AI is totally out of order, and clearly high on the vapors of the great mysteries of their subject, proclaim that AI is comparable to the classical oracle of Delphi, which left to human beings the interpretation of its cryptic messages about human destiny.” What a task! Our ruling classes will surely make of themselves a new priestly caste to determine the great transcendent and transhuman prophecies of the infant AI we have before us!

The Trilogy of machinic mysteria have provided their own examples of the AI revolution, and it’s not too hard to see where Kissinger was clearly in dictation. They speak of the challenge that AI poses for national security, because they have already assumed its novel creativity, it’s the hip new thing you see. The butcher of Cambodia speaks, that: If AI develops new weapons, strategies, and tactics by simulation and other clandestine methods, control becomes elusive, if not impossible. The premises of arms control based on disclosure will alter: Adversaries’ ignorance of AI-developed configurations will become a strategic advantage—an advantage that would be sacrificed at a negotiating table where transparency as to capabilities is a prerequisite. The opacity (and also the speed) of the cyberworld may overwhelm current planning models.” Henry! You Elder Daemon of Empire, isn’t that what you’d all want? A weapon system that is smarter than you, which you can’t control, and which therefore absolves you of your genocidal guilt? These people believe they are halfway to Skynet, as if Kissinger himself was not a cog in a machine which to this day wages automated and mechanized war that to this day sieges humanity. Then again, this would risk denying Henry the agency he so desperately wants to deny of himself, but he will always be an enemy agent.

The second example follows from Schmidt of course, on behalf of the google home and amazon alexa, those great data-harvesting convenience machines. He thinks people will start to treat digital assistants and AI pets like humans, and so we will acquire an intimacy with machines that equally grants them an unlimited surveillance capacity. The cheek of this fucker is astounding, and to claim that AI is doing this all of its own accord, self-organizing, self-arranging. Once again we have a man who alienates his role in all of this, as if his intelligence was really artificial, and that of the AI was pure self-organization, unburdened by humanity.

The following section is clearly Huttenlocher, because he worries about the risk of a “diminished inquisitiveness as humans entrust AI with an increasing share of the quest for knowledge; in diminished trust via inauthentic news and videos; in the new possibilities it opens for terrorism; in weakened democratic systems due to AI manipulation; and perhaps in a reduction of opportunities for human work due to automation.”

The third horn of the trinity is clearly an administrator of the Academy, because he accepts the automation of teaching as an inevitability (which conveniently rids him of those pesky laborers), and instead concerns himself with regulating it, and of course, people like him will have to be the human vanguard, every horrific new regime needs a collaborator to calm the beast down eh?.

All this for our three fountainheads of the future to say: that the AI revolution is the greatest philosophical shift since the reformation, where the unifying ideas of Christendom shattered, and the intellectual world (which apparently does not exceed the borders of Europe, unsurprisingly) required the scientific rationalism of the Enlightenment to recover. Yet no Kant or Hegel shall be enough to conquer the philosophical rupture that AI has bequeathed to us, as they conclusively prophesize that  the phenomenon of a machine that assists—or possibly surpasses—humans in mental labor and helps to both predict and shape outcomes is unique in human history. The Enlightenment philosopher Immanuel Kant ascribed truth to the impact of the structure of the human mind on observed reality. AI’s truth is more contingent and ambiguous; it modifies itself as it acquires and analyzes data.”

At this, we are expected to be in awe at the task before us. How are we to be worthy of the coming cybernation. How do we control our fear, become captains of our soul and our destiny once more, and seize the accelerated day before the AI revolution?

There remains but one problem with this vision however, it’s all bullshit, all of it. These so-called people sit in awe at the inhumanity of the AI revolution when it is nothing but human. They worry about a world of work without the worker. But as Phil Jones pointed out in their brilliant book on the subject the acquisition and analysis of data is anything but inhuman. Through new forms of so-called ‘micro work’ where people are paid minimal amounts for tasks where they verify, edit, or produce data such as checking the veracity of search engine results or identifying elements such as faces or cars in images, data sets are produced. Many of these datasets are produced for companies like Clearview AI that train software on such data and sell it to Immigration and Customs Enforcement in the States. Who does this microwork? All sorts of people, from students to increasingly those in refugee camps, cast out by the violence of Empire and contained in indefinite hell by the violence of the border. I quote Jones: “It is a grim irony that the refugees who use microwork sites are effectively forced to create the very technology that directly oppresses them.” Artificial intelligence is not artificial, it is real, living, machinically-enslaved humanity. Data is a recording, a surplus, a residuum of activity, of cognitive and physical motion that exists after the process. Data is dead labour that returns in the form of algorithmic systems of control and communication. Data is the hot new commodity with a speculative future, it has a fantastic marketing campaign that its own sycophants such as our cadre of evil above have bought into, because they cannot confront the human element, which is inextricable. They dare to obscure their own role in this as well as the worker, because otherwise it would be the same accelerated capitalist monster as always. Data-production may not be back breaking, but it produces a commodity which can be speculated upon. Even in the imperial core where consumption is itself considered an impetus to economic health, that our consumption produces data reveals it to be a production of a surplus to be sold. The AI revolutionaries don’t want it to be a political question, but have sublimated it into how they will save themselves! They have told themselves a ghost story in order to inflate their bravery, and to obscure the slave within the Mechanical Turk.

On May 1st 2023 150 workers from ChatGPT, Facebook, and TikTok have unionized, workers who the tech giants would rather you didn’t know existed. That’s the trick, they aren’t selling you AI, they never needed to, they sold themselves the image and now they have to sell it to you to get you to buy in. The image of a future sells just as well, it’s just now the salesmen believe their own bullshit because they’re surrounded by people who are paid to tell them how smart they are and can’t survive without their patronage, and if you’re Kissinger you fucking carpet bombed the opposition!

AI makes no data, labour and the social relations that command it make all data. AI isn’t making itself smarter through us, rather we are sending the surplus of our consumption and our activities to them to have them sold back to us mediated by the same human hands we don’t want to think about in the imperial core! And as user interfaces and deluded techbro marketing become smoother, it will be harder to see the cracks where a human could appear, because we will know less about how these things work, if we are not ourselves dispossessed and forced behind the curtain of AI bullshit and its data mines.

AI is not getting smarter on its own, it isn’t even getting smarter, it’s being steered, habituated, programmed by the same hands that were always the input, us. The reason why Kissenger, Schmidt, and Huttenlocher think that AI isn’t human is—because like all functionaries of the ruling class—they don’t think you are either. AI is a lie, it is more human than most people know, the only thing artificial about it is its artificiality, it is not self-organized, it learns nothing on its own. Those who tell you otherwise are marks for a marketing campaign. Maybe some believe in the idea of ‘Roko’s basilisk’ that a despotic AI God is inevitable, and therefore it is in one’s best interest to further its coming into being to save oneself from a thousand cybernetic hells. This is a convenient prophecy which reveals their rationality as all it ever will be, a Pascal’s Wager for the collaborator, the quisling of the new Imperial Death Machines.

Max Stirner and Philosophy.

The history of Stirner’s reception by philosophers is a history of dialectical archaeology. Philosophers—myself included—in aiming to provide an account or logos of Stirner, dig below the surface of his textual corpus in order to posit implicit connections which are to be unearthed as philosophical commitments. “Is Stirner a Hegelian? Is he a Benthamite? Is he a nominalist? Is he even a proto-Marxist, perhaps?” and so on and so forth. With these examples I have just provided examples of the various meanings that such an archaeology can and often has posited beneath the surface of Stirner’s texts as ‘implicit’ (and really, we are only talking about one text, Der Einzige und Sein Eigentum, without which none of the others hold any exemplary quality or libidinal pull for those whom read Stirner). Regardless of any plurality of the meanings of this archaeological operation, their function is the same—to present Stirner as a thinker with an arche, a principle, a commanding architecture in which his thought is subservient to. We do not believe him when he claims that he has based his affair upon nothing in the refrain that consolidates the whole domain of the book by being its opening and closing proclamation. Stirner must be brought to heel, Der Einzige must serve a discourse which commands the text. It must have a cause that is identifiable beyond ‘his own’ in order to be a cause for us, for we philosophers.

In our philosophical-archaeological operations upon Stirner, we approach him in a manner akin to his own theory of property. I mean this in the sense that we use him to empower ourselves. We consume our own selves in the mode of practicing philosophy upon him, which is a use of a finite life upon this Earth. We do not grant him the externality of a thing; we grant him no independence. He exists for our own consumption in philosophical-archaeological discourse. It is in such activity that we are closest to Stirner’s own operation, and yet equally distant from it. For example, my own work was previously centred on the absolute certainty that Der Einzige is that fabled missing piece for the completion of the Hegelian System, as its greatest anarchic self-revelation. Empowering my own mission in which I consumed myself and found great pleasure in consuming Stirner, was the use of him for just such an operation. One chapter of such a project was in the translation of Stirner’s view of property onto Hegel’s Philosophy of Right. Stirner was to be made to serve Hegel, as if Hegel was the grand Archon, as if he was what Stirner ‘really meant’ when he described the basis of his work as ‘Nothing’. Stirner was implicitly a Hegelian, and so he must be shown to take a Hegelian view of things as property also. This would be the case were it not for the fact that Stirner refuses any idea of property as the ownership of things. “But my property is not a thing, as this has an existence independent of me; only my power is my own”.[1] Stirner rejects that property is the ownership of things, and he rejects with this the very basis of abstract Right which conditions any discourse of ‘objective’ Geist. Owning is nothing, no-thing, other than to be empowered to expropriate and the powers of expropriation and enjoyment of some flux of sense in the world which may be loosely called a ‘property’ thereof.

Nonetheless, Stirner grants us another hint of an arche under the surface, even if refuses to bear the meaning of the Hegelian System which supposedly commands it. Quite possibly the greatest book of Stirnerian philosophy—and one that openly proclaims its Stirner as a ‘my Stirner’—turns from this arche in the presentation of an adequation of Stirner to the arche of Spinoza’s own theory of powers. Such Spinozist powers are nonetheless based on axiomatic principles of ontology. As philosophers we cannot fully reject Stirner’s refusal of the fixed idea as that which “may also be perceived as “axiom” “principle,” “standpoint” [Grundsatz, Prinzip, Standpunkt] and the like”.[2] Stirnerian philosophy, and we as Stirnerian philosophers, empower ourselves in our self-identification as Stirnerian philosophers by demanding that Stirner identify himself. He refuses, and so we must identify him in order to identify ourselves as Stirnerian philosophers or as ‘scholars’ through him. Through the arche, we make him both a thing and we make him an empowerment of ourselves. This is because, as Guery and Deleule so aptly noted:

Identity is, in effect, a relation to anonymity. Only the unknown, the undifferentiated, the anonymous have need of a name and number. That anyone at all, whoever it may be, may be unknown and therefore threatening is the reality, the universe, of the one who guards property.[3]

We cannot be Stirnerian philosophers without retreating to Feuerbachian tactics. Stirner cannot be a creative nothing in the guise of a human being, nameable only as unnameable as the ‘uniqueness’ with which he identifies the singularity of his non-identity. Stirner writes Stirner’s Critics solely in defence of the Unique, because it is his greatest refusal, non- rather than anti-thetic. In response we try to ‘get behind’ him for a Grund as opposed to finding a deeper nothing, a depth-anarchy, behind our attempts to grasp and contain his refusal. Feuerbach’s response to Stirner aims to get under his skin, his skull even, in pointing out a deeper arche. This arche is the gender of Stirner’s ‘male’ brain which would bring him out of his refusal and into an essential community with the principles of masculinity. Stirner, once again, refuses. We philosophers similarly to the Feuerbachian anthropology seek to make him a Man again under philosophy, making him in its image and after its likeness. We demand that his texts answer us in order for him to be identified, and we do so in order to make him a means of production integrated with our own labours in order to produce more philosophy.

Stirner is simply himself in the singularity that is of the power by which he ever was anything at all. Stirner rejects the separation which is the presupposition of our philosophical-archaeological operation. He is as flat as the scribbled drawings that compose all we have of his image. He is in this way, separated from philosophy and must be accumulated into it in order to produce the surplus value that he refuses to produce. Capital, as Marx once defined it in Chapter 18 of Capital, is “essentially the command over unpaid labour”.[4] Stirner is this unpaid labourer subjected to the commands of philosophy and yet so is the Stirnerian philosopher who submits themselves to the commands of philosophical production as an infinite task of proliferating itself. Stirner is not a Laruellean, but the Laruellean analysis of philosophy here is exemplified in the Stirnerian philosophy I practice:

“Until now, the critique of philosophy has never been universal, has never been applied to the subject that receives and thinks it, but only to a subject implicated in it…

philosophy is the capital-form in thought. We do not say that the Marxist account is necessarily pertinent to capitalism, but that it ‘fits’ and is effective for philosophy. The capital-form here is connected with the commodity-form, and constitutes the other face of the division-form of thought. Thus defined, it is universally valid for all particular philosophical decisions. It is articulated according to a duality of phenomena which combine – this is its identity of division – into a single structure”[5]

As a funded, doctoral Stirnerian philosopher, it is my job to provide an account of Stirner for philosophy. This cannot be anything other than a decision which places me in the position of the commander of anarchy, its watchman, the border guard who enforces the map upon the territory.

There is, decisively, only ever such a thing as Stirnerian philosophy, where Stirner is never absent, but holds himself in separated-integration as philosophy’s proletarian.


[1] Max Stirner, The Unique and Its Property, (Underworld Amusements, 2017), 288.

[2] Ibid, 79.

[3] Guéry and Deleule, The Productive Body, (Zer0, 2014), 57-8.

[4] Karl Marx, Capital: Volume 1, Economic Manuscripts: Capital Vol. I – Chapter Eighteen (marxists.org).

[5] Francois Laruelle, From Decision to Heresy, (Urbanomic,2012), 261-2.

Scream-Memories

Do we have freedom of speech? I can only speak for myself (a writing-machine embedded in the communicative sphere: imperial core node), and so here I declare, vapidly, that I am only free to speak, free only to speak. Yet this is inaccurate, because it excludes the way in which this free speech is actualized; how it achieves economic, social, and temporal reality all at once. This is where the energy expressed in speech, the expenditure of one’s finite life-time and present energic resources, becomes a thing—from the expressive sacrifice of sounding out meaning to the inscriptive artifice that records this expression as writing. The recording may be the text itself, or even the recording of the production of a recording as text (X-subject made so many Y-posts today, Z produces N-pages per hour…). The labour of communication may be as free as any labour power, in that it may be allowed to be equal to other modes of labouring power in being free only to sell itself to whomever may be willing to buy it. Free merely as a commodity—free-lance like the mercenaries and Landsknechts whom sold their blade-arm for many a feudal prince. The Landsknecht, however, presupposes the feudal prince and hence presupposes the unfreedom of the serf, with the plunder of the tithe and necessarily with the riches and violence of conquest and its maintenance. The soldiers rarely risked throwing down their swords and turning them into ploughshares, lest they faced the wrath of their former employers. The free exchange of mercenary labour presupposes the accumulation and domination of those in bondage. Similarly, the free exchange of writing as alienated speech presupposes the unfreedom and bondage of the expressive potencies of speaking itself and of the free expenditure of life energy in general.

Speech as a commodity is not the same as a commodity which speaks. Moten and Hartman among others do not simply make this clear, rather they scream the truth of this notion from the very origin of our modern world—the formation of the bonds from which our world accumulated itself through those whom it set in chains of bondage. They perform it anew before the feigned ignorance of a literature and of an order of objectified, alienated speech which does not want (either consciously or unconsciously) to hear it. The commodity which speaks, SCREAMS because it resists its bonds of commodification in screaming—in signalling that they too have a voice, a mother, and an origin which no matter how distant nonetheless can always be performed as immanent and essential refutation of any mere price or value equivalence to which their buyers may reduce them. The commodity which speaks is the slave, yet they are ripped from their own expression as the enslaving, alienating power places their entire history, ontology, and culture under erasure in reducing them to an exchange value.

That a tradition may form from such speech is the character of a minor literature, a resistance to recording on behalf of a mutual and collective memory. It is here where we may find an important disjunction between recording and the horizon of remembrance. Recording inscribes expression by transmitting it into the alien artifice of an external thing with its own seeming independence. Recording does not remember, re-cording ties and binds an expression to the exchangeable object-thing. Memory is a re-calling, a return of the expression, a sonorous refrain of the past which calls upon you to remember who you are and to whom we are indebted and connected. Every event may be recorded, no books need be burned, every death certificate and official inquiry may be archived, and yet much like the horrors of the past and their preconditions of hopelessness and cruelty, so little may be remembered when no one is called upon to resist this use of our world.

When one is free only to write, to produce speech as recorded and as exchangeable, it becomes so very hard to remember from one’s solitary desk, and from one’s position at the forefront as an auto-iconographer—as a PR-agent for one’s own self-commodification. The greater the degree of freedom to which one is allowed (and all such freedom is an allowance) to produce recordings of captured speech, the less one is able to recall, and hence to resist. It is not difficult to imagine a well-established Marxist theorist bursting into tears of rage on the day of insurrection, purely because they had not yet celebrated the release of their upcoming book on the necessity of just such a revolt. The more one lives on writing (and we are writing more than ever, at least those of us integrated into producing constant streams of data-commodities in our cybernetic present of social media and the omnipresent surveillance of ‘metrics’), the more one’s life becomes ossified in the binds of recording, and without a circuit breaker of irreducible resistance—ohmic impotence.

The signal overwhelms itself in becoming a pure carrier-wave indistinguishable from noise, and saturation supersedes the need for traditional censorship in scrambling the unconscious. As Baudrillard teaches us, the medium of the recording all but annihilates the matter of the message in the pure emptying of oneself into the exchangeability—the ecstasy—of communication. I have only a mouth, a machine which records without speaking, and I must scream; for to scream is to call upon the horizon of memory which sounds out the resistance which precludes the immanence of hope.

Theory of Der Einzige: Stirner, Bataille, and Anarchic Abnormality

[Note: As something of an update, here is a section of a paper I’m currently working on as part of a wider chapter, in which I explain Max Stirner’s concept of ‘The Unique’ via Georges Bataille’s notion of Base Materialism, simultaneously positing links to Stirner as a thinker of the body in relation to the anarchist philosophy of disability (presented by my good comrade Will over at https://revoltingbodies.com). Hopefully this incomplete but nonetheless expository piece will help to answer some of the notional ambiguities around Stirner, as well as address the ontological misreadings so prevalent in the anglophone literature.]

The first thing that can be said about The Unique is that it does not correspond to any kind of discursive mapping of the ontological into categories, hierarchies, or taxonomies of beings. This is a point made explicit from Stirner’s Critics in which he responds to Szeliga, Hess, and Feuerbach on just such an interpretation, that “one cannot build a philosophical system with it as a “principle,” the way one can with being, with thought, with the I.”[1] With this clarification, the ontologization of the Unique inaugurated in the anglophone tradition by Paterson is undermined by Stirner itself. Paterson’s ontologization of Stirner relies on the presupposition that Der Einzige und sein Eigentum contains a “system” by which the phenomenology of Stirner’s personal solitude is translated into the “cosmic” uniqueness of the Unique taken as ‘The Unique One’.[2] As such, it is a system which produces a “purely metaphysical solipsism, asserted and maintained within the metaphysical system in which The Unique One emerges as ‘the sole ego’”.[3]

From the standpoint of reading Stirner ontologically, such solipsism has often been portrayed as incoherent in regards to the inherently social character of Stirner’s work as a thinker whom in so many ways seems to preach the asociality of egoism. Paterson himself describes the Unique as “a portrait of refined incoherence”,[4] and the difficulty of producing a coherent ontology from Stirner is stated most explicitly by John P. Clark when he concludes that the ego, as the ultimate reality, is beyond the descriptive powers of any words which might be used to express truths about it”.[5] Such a conclusion would seem to be shared by Stirner himself when he says that what he “says is a word, a thought, a concept; what he means is neither a word, nor a thought, nor a concept. What he says is not the meaning, and what he means cannot be said.”[6] However, where Paterson and Clark remark upon the inadequacy of Stirner’s ontology to express the Unique conceptually, the Stirnerian gesture is the expression of the limits of ontological discourse the map the Unique to concepts.

The failure of any ontologization of Stirner hitherto has been compounded by its idealism when it comes to the Unique. The sensuousness of individuality is bracketed out by such interpreters in favour of depicting the Unique solely in terms of a self-consciousness, a grasping of oneself as a concept of The Unique. For Paterson the goal of Stirner’s ‘system’ is to produce a self-consciousness of the Unique in a project by which Stirner critically begins a process of “distinguishing himself from everything that presents itself to his negating consciousness… As a consciousness, he transcends the entities of which he is conscious, placing himself above and beyond them.”[7] Yet this reduction of The Unique to a self-concept or form of consciousness is equally rejected by Stirner himself:

“do you exist only when you think of yourself, and do you dissipate when you forget yourself? Do you exist only through self-consciousness? Who doesn’t forget himself constantly, who doesn’t lose sight of himself thousands of times in an hour?

This self-forgetfulness, this losing of oneself, is for us only a mode of self-enjoyment, it is only the pleasure we take in our world, in our property, i.e. world-pleasure.”[8]

The Unique is not reducible to a grasping of a higher, a greifen [grasping], and hence not to a begriff [concept], of the self by itself as a form of self-consciousness which transcends and unifies the self. Nonetheless, if we turn back to the Menschenleben, we find a similar operation of grasping to that of the child of ‘getting behind’ the essences or ‘spooks’ which have become ossified:As I find myself behind things, that is, as mind, so I must later also find myself behind thoughts.”[9] The act of ‘getting behind’ was shown to be the seeking for a ground of an oppressive reality in the mode of the child, and one that produced the grund in the sense of the rationality of those realities which became internalized upon the body and within the consciousness in the form of ideological and libidinal capture. The grund here was the world illuminated by thought, by ideality and essentiality, and structured according to hierarchies upon which the universal, the spiritual, or the essential stood over the particular, embodied individual—conditioning us to the habit of a higher nature. If Stirner defines Hierarchy as a “rule of the sacred” then the ground that escapes all hierarchy must be a ground itself profane, against “all the shining lights in the world of thought” which posit themselves as the illuminated ground of all things yet are little else than subjection, Stirner posits a ground which thought cannot recognize as its dark ground.

Whilst such a term carries resonances of the notion presented by F.W.J. Von Schelling in his claim that “Only in personality is there life, and all personality rests on a dark ground that indeed must therefore be the ground of cognition as well”,[10] I will show in the following that the most productive way to interpret the Unique and its Uniqueness is through another notion which plays a similar if not isomorphic function: that of Base Matter as illustrated in the work of Georges Bataille. It is through an encounter with Bataille’s base materialism that Stirner’s Unique will be articulated as an insurgent invocation of the grounding of all ideality and ontological mapping, its dark and anarchic territory upon which it erects its heavenly kingdom as well as its principled hierarchic government upon the Earth. Stirner’s Uniqueness will be shown to be his base materiality, the profanity of his particularity, and the anarchy of his body, and this will serve to further elucidate Stirner’s rejection of essentialism, and of normalizing forms of power such that his work enters into a conversation with recent anarchic developments in the philosophy of the body.

Uniqueness as Base Matter

That I align Bataille and Stirner stems from the unity of their projects on the level of a fundamentally heretical orientation towards Hegel. Both thinkers believed that the Hegelian system was an achievement by which thought subsumed everything within its discursive structures and strangled by it. Stirner situates the Hegelian moment as a consummation of the domination of thought’s structuring of the world and wishes to reclaim it for himself. Bataille by his own admission follows Hegel to his limits in order to follow it “into the NOTHING of unknowing” upon which its own ground has carried it through its motions of development.[11] As such it is unsurprising that an alliance can be posited between them on the matter of such a creative nothingness as the Unique as will be shown.

Bataille’s definition of Base Matter exemplifies such resonances in its description and its function:

“Base matter is external and foreign to ideal human aspirations, and it refuses to allow itself to be reduced to the great ontological machines resulting from these aspirations… disconcerting the human spirit and idealism before something base, to the extent that one recognized the helplessness of superior principles.”[12]

What is ideal as principle is ‘helpless’ for Bataille because, as Benjamin Noys explains

“The ‘logic’ of base materialism is that whatever is elevated or ideal is actually dependent on base matter, and that this dependence means that the purity of the ideal is contaminated. The dependence of the ideal or elevated (the ‘high’) on base matter (the ‘low’) and the contamination this produces is systematically denied by the ideal, which splits off base matter as whatever is disgusting, vile, sub-human, etc. In this way it hopes to keep base matter in its place, as the base, but this splitting off can never be completely successful because base matter is at the basis of the ideal and the ‘higher values’.”[13]

Base matter is the very basis of the hierarchical and the discursive, the very dark ground of that which becomes reified into the essential by discourse (which for Bataille is synonymous with what is rendered meaningful by dialectical development). It is the base particularity from which the universal ascends and constructs itself, what is not purified into the ‘high’ or the essentially Human is denigrated for its baseness, but a baseness posited by the hierarchy itself which it cannot disavow.

Stirner, when he speaks of the ‘inhuman’, or the inhumanity of that which is impure against an ideal or essence of conduct or of being, speaks in strikingly similar terms. It is not that Stirner rejects the Human for the sake of the inhuman as such, but instead he rejects the very dialectic of the Human essence on the basis that humanization creates dehumanization; “Because the revolutionary priests and schoolmasters serve the human being, they cut off the head of human beings.”[14] The essence creates the monstrosity which demonstrates its impurity, and what it monsters is its baseness. The function of the Unique is to produce an unsettling point that not only resists such capture, but is the very ground which is captured and stratified by such hierarchy. Stirner explicitly states that he writes about ‘inhumanity’ or the profaneness of the actual human person not because he wishes to take their side in an affirmation of lowness against the higher (as if this higher truly was its creator, like Milton’s Lucifer), but because there is a unique ground which precedes all such diremptions into the rigidification of one’s identity into essences of oneself which serve as principles of governing a person and their body:

“While Stirner writes against the human being, at the same time and in the same breath, he writes against the inhuman monster, as opposed to the human being; but he doesn’t write against the human being who is an inhuman monster or the inhuman monster who is a human being — i.e., he writes for the utterly common unique, who is a complete human being for himself anyhow, because he is an inhuman monster.”[15]

The uniqueness of Max Stirner is not exclusive to himself. Rather, it is exclusive to everybody. It is not reducible to an exchange value, for it is inexchangable, for it “isn’t possible to determine a universal valuation of my uniqueness”.[16] It is not inclusive of everybody insofar as it is the dark ground of all interdependence, the base matter of the relata of relation and structure. Uniqueness is like the structural mineness of how Bataille talks of the Big Toe, which as Noys shows is a Bataillean emblem of base matter:

“base matter is what makes the very structure of the high/low opposition possible in the first place and what ruins it: without the base matter of the big toe we could not stand erect, and so we would be deprived of the high, ideal, etc., but because of this the high can never be as pure as it would desire.”[17]

The spurious infinity of purity and purity-seeking is exactly that which Stirner seeks to undermine in the Youth with a turn to a more fundamental grund that is equally fundamentally exclusive. Fundamental exclusivity, in that it grounds the relata of any dialectic such that they could be constituted as relata and made subjugated to its determinations, takes the form in both Stirner and Bataille of matter which cannot be expressed or captured logically as its fuel and operational limit. Namely, that which Bataille characterizes as the “insurbordinate” character of base matter which is its “nonlogical difference”;[18] a pre- or non-discursive difference which serves to destabilize its logical and discursive confinements rather than stabilize them. As Noys notes, for Bataille matter is itself difference, and base matter itself is purely a functional notion as the “active flux of instability that ruins the closure of any discourse.”[19] This nonlogical difference serves as a tool of illustrating Stirner’s own explanation that  “just as the concept and the conceptual world fades away when one uses the empty name: the name is the empty name to which only the view can give content… the unique doesn’t say anything because it is merely a name.”[20] The view is that of the ‘who’ of the Unique, the one who sees the nonlogical difference between themselves and their ‘higher’ essential nature unto which they are told to conform (or else). My uniqueness is my baseness, my materiality as my nonlogical difference which exceeds such classifications as ‘inhumanity’ which invert the order of creation at the same time as the world becomes polarized into higher and lower.

The Uniqueness of the Body

As the nonlogical difference of my base materiality, my uniqueness is inextricably tied with my own material body, as the dark ground through which ‘I’ have my personality and my experience. It is the condition of possibility of the very conditions of possibility having their seat in my cognition, yet it does not exist for these conditions as that which is presupposed for their benefit as universal forms of experience. As the ground of all hierarchies and discursive formations of the pure and impure, the base matter of the uniqueness of a body consists in not its hierarchic abnormality (its inhumanity against the human), but its anarchic abnormality which hierarchy can only treat discursively, as a negation of itself which is to be corrected or negated (destroyed) outright. We can clearly see this in Stirner when he makes the proto-Foucauldian move of identifying both clinical and punitive forms of power in his critique of the communist Wilhelm Weitling and characterization of criminality as a remediable social disease:

“Weitling has to continue with “remedies against the natural remainder of human diseases and weaknesses;’ and “remedies” always announce at the start that one considers individuals to be “called” to a certain “well-being” and will consequently treat them in accordance with this “human calling.” The remedy or cure is only the reverse side of punishment, the theory of cure runs parallel with the theory of punishment; if the latter sees in an action a sin against right, the former takes it for a sin against himself, as a wasting of his health… Neither “crime” nor “disease” is an egoist view of the matter, i.e., a judgment coming from me, but from something else, namely whether it violates the right, generally, or the health in part of the individual (the sick one) and in part of the universal (society) . “Crime” is treated implacably, “disease” with “loving kindness, compassion;’ and the like.”[21]

What Stirner sees in Weitling is the transplantation of moral abnormality into the body itself in an extension of hierarchy, an inscribing of the broken law upon the body by an ontologizing machine akin to the torture device from Kafka’s In the Penal Colony. Stirner’s rejection of Weitling here is not simply an inter-leftist spat, but rather Stirner is here rejecting one of the main innovations of 19th century European criminological anthropology. As Foucault notes in Abnormal, the development of psychiatric power in Europe (France in particular) was shaped by the principle that political movements held a correspondence to healthy or unhealthy physiognomies, with Lombroso’s study of the supposedly high rates of “serious physical defects” amongst captured anarchists.[22] As the anarchist philosopher of disability Will Conway articulates this connection: “In abnormality, there is a thread that runs through to a political assertion of anarchy; and in anarchy, there is a thread that runs through to a medico-juridical assertion of abnormality.”[23] Weitling here stands at the latter as the figure posited on the side of discursive reduction, he seeks the ground of the anarchic body in categories corresponding to truths of the body’s abnormality. It is through the base materiality of my unique body, which through its inherent impurity to the normal as the essential is already in revolt, that Stirner rejects the judgements of crime and disease as two sides of the same coin, the matter of which is the anarchy of the body itself.

The anarchy of the body is everywhere in Stirner, we even find it in the figure of the child, whom by the standards of the 1840s would have been considered under the ableist regimes of idiocy and imbecility. Édouard Seguin’s The Moral Treatment, Hygiene, and Education of Idiots and Other Backward Children was only published a little over a year later in 1846, which as Conway reminds us, speaks of the abnormality of the child as

“possessing “a certain anarchic form of will”. The normal, desirable, adult will is “a will that can obey”. The will of the “idiot” is one which “anarchically and stubbornly says ‘no’”. Seguin’s recommendation [as Foucault points out] is that teachers should intervene in such a way that produces “a total physical capture that serves to subject and master the body”.”[24]

This will which normalizing, curative power seeks to capture as subjected and mastered bears a striking resemblance to that which captures and subjugates the child in the Menschenleben, and even that egoistic maturity which rejects the obedience to the second nature—the habituality of subjection—which power curates for it. Pathology pathologizes the anarchic, and this is even true of Stirner himself whomst was treated as a paranoiac, insane abnormality by Ernst Schultze in 1903. Whilst Stirner may not be a partisan of the child as such in that he still believes in the cultivation of education, he nonetheless advocates for a maturity which embraces the abnormality that was lost with a new affirmation of the ways in which it strays from the essential and from normality by its very materiality—a materiality which for each is exclusively mine. The deviation from Bataille and the limits of this comparison exist at the limits of mine-ness, the uniqueness of an ich or I. Yet it is the mine, the singular particularity, which is base before the essential and the hierarchy of essential which posits its very source under the categorization of the inessential defined as its very negation. Base matter as has been described may provide a notional analogy with the creative nothing, the fuel of the dialectic and its proliferation of meanings, essences, and determinations. In naming myself as Unique I invoke it of myself, as that which dissolves the fixity of their capture as its material precondition. The first-person character of the invocation of my baseness affirms it as such.

The ‘Ich‘ and Consumption at the Limits of German Idealism

The question arises as to the Ich and its uniqueness in relation to the way in which the ‘mine’ indexes the destabilizing invocation of the base abnormality hitherto described. To read the Ich as an enclosing gesture, a function of the unification experience around a central ‘I’, seems to place it on a similar level as Transcendental Apperception in Kant. For Kant, transcendental apperception is notion that it must be possible for an ‘I think’ to accompany all of my experiential representations.[25] This is the transcendental unity of self-consciousness, an a priori condition of our experiencing anything being that it must bare the formal unity akin to the ‘I’ itself.[26] This transcendental unity of the ‘I’ is distinct from any empirical intuition of myself, any representation of myself as I appear to myself at any given moment. Kant claims that “in the synthetic original unity of apperception,  am conscious of myself, not as I appear to myself, nor as I am in myself, but only that I am.”[27] The fundamental condition of my experience of any object is its possibility of being my object, any such object of experience is unified as an object by the same unity of experience that renders it mine. To read Stirner’s Ich as unificatory is to read it as an apperceptive uniqueness. Such a reading is amicable to the ontologizing of the Unique, such as Paterson’s ‘private universe’ reading or Jenkins’ description of Der Einzige und Sein Eigentum as presenting “a vision of the ‘future’ individual unified within herself”.[28] Indeed, that uniqueness presents a ‘detachability’ from the empirical self further reinforces such a view, but ultimately it is the unificatory function which is the strength of such a reading.

A Kantian reading of the Unique One or the Unique Ich is complicated however by Blumenfeld, who points out that the functional character of Stirner’s Ich is not unificatory, but—once again showing its kinship with base matter—dissolutional:

“whereas Kant’s I unifies experience, Stirner’s I dissolves it. This “I” weaves through the manifold of experiences as the process of their dissolution. “I”, however, does not name the process, but this one, mine.”[29]

Blumenfeld points out that Stirner refrains from saying the I, but always says my I. That it is exclusive to everybody precludes its absoluteness as a totality of I’s to which each is reducible and interchangeable, and this is the means by which Stirner proclaims explicitly his distance from a thinker of the Absolute Ich such as Fichte:

“When Fichte says, “the I is all;’ this seems to harmonize perfectly with my statements. But it’s not that the I is all, but the I destroys all, and only the self-dissolving I, the never-being I, the—finite I is actually I. Fichte speaks of the “absolute” I, but I speak of me, the transient I.”[30]

As Blumenfeld points out, the fundamental ambiguity of Stirner’s Ich is the plurality of its functions. As he summarizes, at various points the I “posits itself, dissolves itself, consumes itself, creates itself, destroys itself, enjoys itself swallows itself, empowers itself, reveals itself, uses itself, abuses itself, owns itself.”[31] Yet Stirner’s processes are rarely explicitly portrayed in the text with the exception of one paragraph written mockingly in the Hegelese of Bruno Bauer.[32] In this excerpt Stirner describes the motions of invoking his Ich by way of presupposition or assumption [Voraussetzung]:

“I, for my part, start from a presupposition [Voraussetzung] in assuming myself; but my presupposition does not struggle for its perfection, like the “human being struggling for its perfection;’ but only serves me to enjoy and consume it. I consume nothing but my presupposition, and exist only by consuming it. But for this reason that assumption is no assumption at all; because since I am the unique, I know nothing of the duality of a presupposing and a presupposed I (an “incomplete” and a “complete” I or human being); but that I consume myself means only that I am. I do not presuppose myself because in each moment I am really setting up or creating myself for the first time, and am only I, not by being presupposed, but by being set up [gesetzt], and again set up only in the moment when I set myself up ; i.e., I am creator and creature in one.”[33]

To clarify, that ‘myself’ is a ‘presupposition that is no presupposition’ for Stirner is “nothing less than giving precedence to a thought, or thinking something above all other things and thinking the rest from this thing that has been thought”,[34] for I am irreducible to my thought and what is presupposed of me. This is equally the case for the one whom posits themselves, for their expression is only the means by which they consume themselves, and through this consumption they are. The presence of an ‘I am’ is clearly resonant with transcendental apperception, a feeling of oneself as mere self. Yet Stirner’s I or Einzige is not apperceptive because this is an active positing, rather than a precondition of experience which precedes the Stirnerian I. The active positing is itself inseparable from its consumption or dissolution for Stirner, and this cannot be extricated from any discussion of Stirner’s affirmation of his own finitude, which is the finite span of his life.

The Unique is not infinitely exclusive to everybody, but finite and transient in its exclusivity as a life, my life. Any dissolution or consumption of my finitude is equally of my uniqueness, and hence of my life. It is a positing of myself at the same time as it is my living expressed through that position. It is an act of the expenditure of my finite and only time upon this Earth, or as Stirner calls it, the self-enjoyment [Selbstgenuß] or ‘squandering’ of life. Self-enjoyment is the mode of living proper to the egoism of Der Einzige and its abandonment of the forms of capture which drive us to shed our particularity before an essential calling which reproduces the rationalities of dominant objectivity (as well as the objects themselves) through our labour:

From now on the question is not how a person can gain life, but how he can squander, can enjoy it; or not how he is to produce the true I in himself, but how he is to dissolve himself, to live his life to the full.

“What else would the ideal be but the sought-after, always distant ? One seeks for himself, so he doesn’t yet have himself; he strives for what he should be, thus he is not this. He lives in longing, and lived for thousands of years in it, in hope. It’s something else altogether to live in—enjoyment.”[35]

The philosophers have only interpreted the world, under various presuppositions which elevate and ossify it into rationalities and essences of the hierarchy, the point, however, is to enjoy it for ourselves. I invoke myself as Unique, not as an implicit identity with the essential to be consummated, but as a life to be enjoyed by me. Even the base materiality of my self is not contained by any self-positing, but rather it is through me that my life passes through the moments of its finitude, the question is a matter of practical orientation to this finitude in the absence of any such glorification or sublation of myself into a general, universal totality, be it historically-developing Geist or the Species as a whole with its essence of Humanity (exemplified by Feuerbach). Stirner begins and ends the book with a declaration that his Sache is based on nothing other than itself, with the dual meaning of Sache as ‘matter’ and ‘what matters’ being the very baseness of his particularity as a finite life. What is consumed is finite, unique life through the unique position of consumption. Blumenfeld provides by far the most detailed exposition of Stirnerian consumption:

“Consumption rather names the process by which I dissolve the separation between myself and my expressions. To consume is to annihilate the fixity and externality of ideas and things that are products of myself yet stand above me. To “consume myself” is thus to continually negate and recycle my own self-expressions of who I take myself to be. In consuming myself, I change who I am and who others take me to be; I block myself from becoming fixed in an identity. By dissolving the independence of my thoughts and relations, I return them back to my power for free play.”[36]


[1] Max Stirner, Stirner’s Critics, https://theanarchistlibrary.org/library/max-stirner-stirner-s-critics . Hereafter SC.

[2] R.W.K Paterson, Nihilistic Egoist, (Oxford, 1971), 256.

[3] Ibid, 257.

[4] Ibid, 245.

[5] John P. Clark, Max Stirner’s Egoism (Freedom 1976), 29.

[6] SC.

[7] R.W.K Paterson, Nihilistic Egoist, (Oxford, 1971), 274.

[8] SC.

[9] Max Stirner, The Unique and Its Property, (Underworld Amusements, 2017), 34. Hereafter UP.

[10] F.W.J. Von Schelling, Philosophical Investigations into the Essence of Human Freedom, (SUNY, 2006), 75.

[11] Georges Bataille, The Accursed Share Volumes 2&3, (Zone, 1991), 369-70.

[12] Ibid, “Base Materialism and Gnosticism” in Visions of Excess (Minnesota, 1985), pp.45-52, 51.

[13] Benjamin Noys “Georges Bataille’s Base Materialism” in Cultural Values, 2:4, pp.499-517, 500.

[14] UP, 96.

[15] SC.

[16] UP, 286.

[17] Benjamin Noys “Georges Bataille’s Base Materialism” in Cultural Values, 2:4, pp.499-517, 501-2.

[18] Georges Bataille, “The Notion of Expenditure” in Visions of Excess (Minnesota, 1985), pp.116-129, 129.

[19] Benjamin Noys “Georges Bataille’s Base Materialism” in Cultural Values, 2:4, pp.499-517, 511-12.

[20] SC.

[21] UP, 250-1.

[22] Michel Foucault, Abnormal, (Picador, 2003), 154.

[23] Will Conway, Going Astray, https://revoltingbodies.com/2021/12/13/going-astray/

[24] Ibid.

[25] Immanuel Kant, Critique of Pure Reason, (Palgrave Macmillan, 2003), B131.

[26] Ibid, B131-2.

[27] Ibid, 157.

[28] John Jenkins, “Max Stirner’s Ontology” in International Journal of Philosophical Studies, 2014 Vol. 22, No. 1, 3–26, 5.

[29] Jacob Blumenfeld, All Things are Nothing to Me (Zer0 Books, 2018), 22.

[30] UP, 195.

[31] Jacob Blumenfeld, All Things are Nothing to Me (Zer0 Books, 2018), 23.

[32] Ibid.

[33] UP, 167-8. Translation Modified.

[34] Ibid, 362.

[35] UP, 333.

[36] Jacob Blumenfeld, All Things are Nothing to Me (Zer0 Books, 2018), 24.

[Transcript] From Capitalist Realism to Acid Communism

Hello Acid Horizon listeners, this is Adam here and today we’re going to be doing another round of Concepts in Focus. This time I’m going to be giving a primer on Mark Fisher’s concept of Capitalist Realism and its relationship to what he called ‘Acid Communism’. Particularly, I’m going to be discussing how Fisher’s theoretical outlook shifted in terms of where Capitalist Realism comes from, how it works, and how he thinks we can fight back against not only Capitalist Realism, but also the forces which are constantly perpetuating it, in an active struggle against revolutionary consciousness. Let’s get started with Capitalist Realism first, as Fisher presents it in the 2009 book of the same name.

What is capitalist realism? In Capitalist Realism, the book, Fisher describes it as a pervasive atmosphere which clouds all possible social futures, by making post-capitalist or non-capitalist futures seem impossible. Capitalist realism appears as a total capture and dampening of the political imagination—“it is easier to imagine the end of the world than it is to imagine the end of capitalism”.[1] Fisher writes that this slogan, from Frederic Jameson, captures exactly what he means by ‘capitalist realism’. It is, quote: “the widespread sense that not only is capitalism the only viable political and economic system, but also that it is now impossible even to imagine a coherent alternative to it.”[2] Capitalist realism is not a faith in capitalism however, it does not require you to believe in it, so long as if you act as if you do, even ironically or post-ironically, because you cannot imagine acting otherwise.[3]  

Fisher explores this social sense of hopelessness through Alfonso Cuaron’s 2006 film Children of Men, and its depiction of a British state in a world where global infertility has made the end of the world an inevitability, yet society, hierarchy, aristocracy, bureaucracy, office-life, reality tv, the abuse of refugees and systemic racism—all continue to occur much like in the present day, for the people in this world cannot imagine anything different. Our inability to produce the future in the political imagination is something that, for Fisher in Capitalist Realism, maps onto the inability of people in Children of Men to produce the future in the form of children. They cannot even reproduce capitalism itself, but nonetheless, no one knows any different, so Britain soldiers on. The sense of ironic detachment where one lacks belief in the system, even as one acts as if one does, is exemplified in an early scene in Children of Men, where the government has gathered iconic artworks taken from the world as it is collapsing around them for the sake of preservation. Theo, the main character of the film, asks the curator what the point of such a building is given there will be no future generations to see them. The curator’s response, as Fisher notes, is not one with faith in the system to deliver any kind of future nor any faith in an alternative order of things, but is instead “nihilistic hedonism”.[4] The Curator simply replies ‘I try not to think about it’.[5]

Capitalist realism, especially in its opening chapters, is a particularly bleak work, and resonates with Fisher’s distinctly gothic disposition as reflected in his early thesis on gothic materialism and what one could call the ‘middle period’ of his writings alongside Ghosts of my Life, and of course Capitalist Realism. As such, the‘realism’ of capitalist realism is a depressive one, the realism which believes “that any positive state, any hope, is a dangerous illusion.”[6] The affect of capitalist realism, is also in many senses centred around the defeats of the Left in the anglophone world in the victories of our enemies from Thatcher and Reagan, to Clinton and Blair and the persistence of capitalism since the crash of 2008. Capitalist realism in the British context is the victory of TINA—the Thatcherite slogan that ‘There Is No Alternative’ at the same time that it is the defeat of the Miner’s strike, and the collapse of the Socialist Bloc in Eastern Europe.[7] In the case of the end of the Cold War, capitalism no longer needed to compete for the future of history, no longer needed to grant concessions to workers against the threat of soviet-backed revolt, and could hence declare history over, as in Fukuyama’s laughable declaration which even he cannot stand by anymore.

Nonetheless, let us go over some of the mechanisms or manifestations of capitalist realism in Fisher’s account from 2009. We’ve already discussed cynical disavowal, where we co-operate with capital in action despite disavowing it subjectively. This is common enough and itself nothing new, it has intensified and proliferated, but is not qualitatively different from the old beast of capitalist ideology. Further manifestations of capitalist realism, in a continuation of Fisher’s analysis of Children of Men, are specifically identified by him as becoming endemic in younger people—at least those he encountered during his time teaching at a further education college, filtered through a lens which now may seem uncharitable or cynical. Nonetheless, I think it is correct to say that given the contempt held by the British state and commentariat towards the youth and young people—as well as in the shifting of class and cultural divides in the UK to an almost unparalleled level of generational warfare, and the rise of ‘Generation Left’ in the work of Acid Communist Keir Milburn—that capital desires the kind of world of Children of Men in our present. They cannot abolish the young, but they can seek to abolish the youth of the young, the very ability for young people to be bearers of the future in both consciousness and action.  This is something that capitalist realism attempts to achieve by cultivating a sense of what Fisher calls ‘reflexive impotence’ in young people

They know things are bad, but more than that, they know they can’t do anything about it. But that ‘knowledge’, that reflexivity, is not a passive observation of an already existing state of affairs. It is a self-fulfilling prophecy.[8]

Social atmospheres of reflexive impotence are inherently depressive, and in depression being treated as an abstract, personal, medical neuro-chemical imbalance, Fisher believes that it has been depoliticized.

By privatizing these problems – treating them as if they were caused only by chemical imbalances in the individual’s neurology and/or by their family background – any question of social systemic causation is ruled out.[9]

Fisher observes that in many cases the rise in depression has correlated with the rise in a new kind of depressive affect. Where depression has been historically characterized as a state of ‘anhedonia’, the inability to find pleasure in anything, Fisher identifies a new mode of depression, one that is inherently hedonic, in that one cannot pursue anything else but the immediacy of pleasures. The depressive worker has transformed into the depressive consumer, and in the absence of job prospects and the omnipresence of debt (particularly that of students) the Deleuzian debtor-addict, caught in cybernetic systems of feedback and control which keep their desires circulating in capital’s favour, and determining their directions in advance.[10]

In the book Capitalist Realism itself, Fisher tends to contrast the students of Britain with their seemingly more radical French counterparts, in a manner which would seem to be typical of an older Anglo-leftist refrain which laments the lack of a similar protest culture in Britain and nostalgically yearns for the days of May ’68 in Paris. However, Fisher himself says that this protest culture is itself lacking in the imagination of an alternative, precisely because of its nostalgia “for the context in which the old types of praxis operated”, which at the time Fisher thought as useless.[11] Could we not say something similar when it comes to those who see no other alternative to neoliberalism than social democratic welfarism which aims to return to the post-war consensus? Capitalist realism is not neoliberal realism, because neoliberalism does not exhaust capitalism. It is not impossible that the neoliberalism which proliferates and intensifies capitalist realism may die, and its lingering effects may encode the axioms of capitalism within any post-neoliberal future, be it social-democratic or otherwise. After all, the British NHS was founded in the heart of its empire.

As I sit here, rereading Capitalist Realism for the first time in years, I have to admit its depressive aspects inspire me more than it ever has before. This is because in many ways some of the analyses presented here are what I can only call beautifully outdated. This is not because capitalist realism has ceased to be entirely, as a pervasive obstruction to the political imagination and the affective capacity to believe in that spectre of the world which could be free, but because in its attempt to totally capture such an imagination and affect, it failed, miserably. Whilst we may not be imagining concrete programs of political action, drafting up manifestos, and modelling the world to come, such a standard is itself unrealistic—or rather too realistic as if revolutions always had a new world to hand which they could simply slot into this one. That we are beginning to imagine, if not imagining already, alternatives to this capitalist world, or the capitalist use of this world, is more evident than ever in the ways in which we are seeing people refuse this world not in the form of mere disavowal, but of active resistance and the desire to desire differently. Schools have gone on strike against the destruction of the environment, against systemic racism, homophobia and transphobia. Police stations have been burned down in uprisings in which the word ‘abolition’ has become common parlance. Police deportation vans have been surrounded by everyday people until the police have left empty handed.  Maybe it is not a question of alternatives in their minds, maybe it is, but the practice of refusal shows that there is a negation of the present world of capital in their acting otherwise. The scales have fallen from their minds’ eyes and in that space of refusal one can incubate a desire for the abolition of the present state of things, a space where one can not only imagine but desire to desire something new—this is the space of post-capitalist desire.

The desire that desires in refusing this world is also the desire that desires a world anew, a desire which has laid dormant and must be cultivated. This is the realm which as Fisher saw, was incubated in the movements around say Corbyn and Sanders in the UK and US, and despite defeat we have not seen this desire wane, but intensify as the left has been put on its back foot—at least now people desiring autonomy and emancipation know that they are on the back foot, because they know that they are now part of an active struggle. The analysis and cultivation of such a desire and of a consciousness which desires in such a way is the project of Acid Communism. Maybe today Fisher would recognize the beginning of a recurrence of Marcuse’s ‘Great Refusal’ which he sought to analyse in the Acid Communism text, as that which rejects “not only capitalist realism, but “realism” as such.”[12] In Fisher’s writings here, despite his tragic passing, we nonetheless see a new spirit of activity, even hope. Let us turn to the introduction to his unfinished text, and see what it can tell us.

Acid Communism as a text bares some notable differences with Capitalist Realism as a book. For example, the latter’s relative anglo-centrism and analytical bend towards the Cold War geopolitics of West vs East in the origins of capitalist realism has been to some extent replaced with the axis of the Global North vs the Global South. Fisher came to realize that it was neither the crumbling Eastern Bloc, nor social democracy that were neoliberalism’s real enemies despite them being the official ones. Fisher says it best here, so I cannot help but provide an extensive quotation:

neoliberalism is best understood as a project aimed at destroying — to the point of making them unthinkable — the experiments in democratic socialism and libertarian communism that were efflorescing at the end of the Sixties and the beginning of the Seventies.

The ultimate consequence of the elimination of these possibilities was the condition I have called capitalist realism — the fatalistic acquiescence in the view that there is no alternative to capitalism. If there was a founding event of capitalist realism, it would be the violent destruction of the Allende government in Chile by General Pinochet’s American-backed coup. Allende was experimenting with a form of democratic socialism which offered a real alternative both to capitalism and to Stalinism. The military destruction of the Allende regime, and the subsequent mass imprisonments and torture, are only the most violent and dramatic example of the lengths capital had to go to in order to make itself appear to be the only “realistic” mode of organising society. It wasn’t only that a new form of socialism was terminated in Chile; the country also became a lab in which the measures which would be rolled out in other hubs of neoliberalism (financial deregulation, the opening up of the economy to foreign capital, privatisation) were trialled. In countries like the US and the UK, the implementation of capitalist realism was a much more piecemeal affair, involving inducements and seductions as well as repression. The ultimate effect was the same — the extirpation of the very idea of democratic socialism or libertarian communism.[13]

Here we can see the hint of a return by Fisher to the works of Deleuze and Guattari, and their analysis of the global axioms of production and trade which constitute world capitalism.[14] The bureaucratic, State-socialist societies of the global North are entirely compatible with the global capitalist system as competing producers. To make a Fisherian turn towards popular culture, such a thesis is affirmed and exemplified in Network Executive Arthur Jensen’s speech to the freshly-radicalised newscaster Howard Beale in the film Network.

What do you think the Russians talk about in their councils of state — Karl Marx? They get out their linear programming charts, statistical decision theories, minimax solutions, and compute the price-cost probabilities of their transactions and investments, just like we do.

Allende’s Chile was an entirely different matter from the Stalinist bloc. It was not a competing producer within the system, but ultimately refused the systemic global binary of the West-East axis entirely whilst setting its sights squarely on capitalism through democratic and experimental means. As a consequence neoliberalism, Empire, drew its plans against the Chilean revolution, and inflicted itself upon the region with the utmost brutality, with new experiments in social butchery carried out by Pinochet and his Chicago School advisors. It is hard not be reminded of a quote from the game Disco Elysium about the commune of Revachol in whose ruins the game is set:

The people of this archipelago tried to build something new, something *different*. The rest of the world didn’t like it, so they came and ended it.

Such was the inauguration of capitalist realism, in a global struggle.

Capitalist realism is one side of an active struggle, the struggle for our affect, and the struggle for our consciousness. Capitalist realism as it proliferated took a further victory in defeating and recuperating the counter-culture, the experimentations of the 1960s and 70s. But this defeat is not total, because capitalism did not win due to a historical inevitability,  to the same extent that our losses in the 20th century were not themselves inevitable as in the depressive outlook of capitalist realism, both in the concept and within the book itself. Fisher rejects the narrative that he flirts with in Capitalist Realism—that the revolts of the 60s led to neoliberalism[15]—and instead begins a counter-attack, a counter-narrativization. He asks

What if the counterculture was only a stumbling beginning, rather than the best that could be hoped for? What if the success of neoliberalism was not an indication of the inevitability of capitalism, but a testament to the scale of the threat posed by the spectre of a society which could be free?
It is in the spirit of these questions that this book shall return to the 1960s and 1970s. The rise of capitalist realism could not have happened without the narratives that reactionary forces told about those decades. Returning to those moments will allow us to continue with the process of unpicking the narratives that neoliberalism has woven around them. More importantly, it will enable the construction of new narratives.[16]

If the past was not destined to lose,  then the past experimented with can be taken up again for the sake of active contestation, for a world to win.

In the active struggle for our political consciousness against capitalist realism, Acid Communism was to be the other side of that struggle. It was to be a project of unforgetting that which made neoliberalism so scared that it forced us to forget it. Acid communism is made of three distinct and yet interrelated and inseparable modes of practice, theorization, and imagination. Acid communism is the unity of class consciousness, socialist-feminist consciousness raising, and psychedelic consciousness, a “fusion of new social movements with a communist project, an unprecedented aestheticization of everyday life.[17] For Fisher, insofar as actual social formations are “shaped by the potential formations whose actualization they impede”, then we can detect the possibility of the communist horizon in neoliberalism’s own activity in making it impossible.[18] Maybe in this sense, Acid Communism is not a movement, something to be emblazoned upon a banner, but a practice of cultivating that which lingers in our culture which we have been forced to repress and forget. Consciousness must be raised to seeing how this active suppression functions, in its integration in the production of capitalist objectivity as well as capitalist subjectivity, and all the racisms, sexisms, and heteronormativities encoded into it. Such a project is psychedelic because psychedelia concerns consciousness and its relation to the fundamental realities and structures of how we experience the world. Experiencing the world through a socialist-feminist class consciousness changes the categories of how you think, and opens up new potentialities in not only unforgetting them, but reformulating them for the present state of affairs, as Fisher remarks: “If the very fundamentals of our experience, such as our sense of space and time, can be altered, does that not mean that the categories by which we live are plastic, mutable?”[19]  The rigidity of social experience which allows for no alternative denies this plasticity, yet it has to presuppose it in constantly making us into subjects under capitalist realism.

The means of the production of subjectivity are not entirely monopolized by capital, culture is recognized by Fisher as an active site of struggle at its most intense. This recognition leads him, ultimately, to a post-capitalist-realist optimism. The revolution is once again recognized as possible, because neoliberalism must constantly deny this possibility. Seize the means of the production of consciousness, and we can cultivate our post-capitalist desire, for the spectre of a world which could be free. A final quote from Fisher, with which he concludes his introduction to Acid Communism, after illustrating the demands of Berardi and other militant Italian Autonomists for an automated post-work future:

In 1977, such demands seemed not only realistic but inevitable — “ look comrades, the revolution is probable ”. Of course, we now know that the revolution did not happen. But the material conditions for such a revolution are more in place in the twenty-first century than they were in 1977. What has shifted beyond all recognition since then is the existential and emotional atmosphere. Populations are resigned to the sadness of work, even as they are told that automation is making their jobs disappear. We must regain the optimism of that Seventies moment, just as we must carefully analyse all the machineries that capital deployed to convert confidence into dejection. Understanding how this process of consciousness-deflation worked is the first step to reversing it.[20]


[1] Mark Fisher, Capitalist Realism, (Zer0 Books, 2009), 2

[2] Ibid, 2.

[3] Ibid, 13.

[4] Ibid, 1.

[5] Ibid.

[6] Ibid, 5.

[7] Ibid, 7-8.

[8] Ibid, 21

[9] Ibid.

[10] Ibid, 25.

[11] Ibid, 26.

[12] Ibid, “Acid Communism (Unfinished Introduction), in K-Punk: The Collected and Unpublished Writings of Mark Fisher (2004-2016), pp.753-770, 755.

[13] Ibid, 754.

[14] Deleuze and Guattari, A Thousand Plateaus, (Bloomsbury, 2018), 530.

[15] Mark Fisher, Capitalist Realism, (Zer0 Books, 2009), 27.

[16] Mark Fisher, “Acid Communism (Unfinished Introduction), in K-Punk: The Collected and Unpublished Writings of Mark Fisher (2004-2016), pp.753-770, 757.

[17] Ibid, 757-8.

[18] Ibid, 758.

[19] Ibid, 763.

[20] Ibid, 770.